But when you’re not free to invent plot points or character arcs, how do documentary filmmakers tell strong and competitive stories?

This one-day workshop will address the challenge of storytelling in documentary. Breaking down the concept of storytelling, it will demonstrate how approaching your film with the story in mind will enable you to:

 – Cast and scout locations more carefully
 – Make more effective shot lists
 – Waste less time filming scenes that aren’t necessary
 – Be better prepared to follow the unexpected
 – Recognise the elements that will make your film even stronger

Using examples of existing documentaries, we will explore how storytelling techniques have been successfully (or unsuccessfully) employed, and how that makes the documentary what it is. Participants be will be given a recommended documentary viewing list before the workshop, so that they are familiar with the documentaries that will be referenced beforehand.

Participants with work-in-progress documentaries are encouraged to bring their projects to the table. At the end of the day we will have an open forum where we will discuss how to apply storytelling to projects that are still germinating. If you would like to bring your project along, please email Merryn Johnson with a brief outline explaining your film.

Schedule:
10am – 11.30am: What is story?; What drives a documentary? Types of story; How a story begins in the mind of the film maker: Tapping into your creative instinct, and extracting the story; Choosing the right approach.
11.30am – 11.45am: Break
11.45am – 1.00pm: Creative arrangement: Structure; Shooting with the story in mind; Editing: saving a documentary that was shot with no story in mind.
1.00pm – 2.00 pm: Break
2.00 pm – 3.30pm: How to use story to write a treatment (and get commissioned); How to use story to pitch (and get commissioned)
3.30pm – 3.45pm: Break
3.45pm – 5.00pm: Open forum – Brainstorming about your projects.

Run by filmmaker, director and lecturer, Yolanda Barker. She has lectured in Documentary Film at the University of East London and co-created a module to include documentary storytelling in the syllabus. Outside of teaching Yolanda is a documentary film director with over eight years of industry experience.

This one day workshop in documentary storytelling seeks to bridge this gap. It aims to teach filmmakers and editors the ways in which a strong and coherent story can be told through the power of documentary. This will not only elevate the standard of a documentary but also increase the impact of its message. Following the workshop, you can expect to:

• Recognize the elements that will make your film even stronger
• Waste less time filming scenes that aren’t necessary
• Be better prepared to follow the unexpected
• Be better equipped to make a creative, engaging documentary film.

The workshop will look at how stories are shaped in short and feature documentaries for both cinema and TV. Clips from documentaries will be shown, and participants will be encouraged to actively engage. Participants will be given a recommended documentary viewing list before the workshop, so that they are familiar with the documentaries referenced in the workshop.

10am – 11.30am
What is a story? What drives a documentary? Types of story.

11.30am – 11.45am
Break

11.45am – 1.00pm
How a story begins in the mind of the film maker – tapping into your creative instinct, and extracting the story.
Choosing the right approach.
Creative arrangement: structure

1.00pm – 2.00 pm
Lunch

2.00 pm – 3.30pm
How to use story to write a treatment and a pitch (and get commissioned).

3.30pm – 3.45pm
Break

3.45pm – 5.00pm
Shooting with the story in mind.
Editing – saving a documentary that was shot with no story in mind.

Run by filmmaker, director and lecturer, Yolanda Barker. She has lectured in Documentary Film at the University of East London and co-created a module to include documentary storytelling in the syllabus. Outside of teaching Yolanda is a self-editing documentary film director with over seven years of industry experience.