Daughters of Bangladesh Garment Factory Workers is a short documentary which follows the personal stories of 5 girls aged between 7 and 15. The film gives an intimate insight into their world, their relationships with their mothers and how factory work shapes their lives. Daughters of Bangladesh is Lensational’s first video journalism project featuring and created by the daughters themselves. This film advocates for corporations to commit to supply chain transparency as well as advancing the welfare of the most vulnerable workers and their families.

Lensational is an award-winning, non-profit social enterprise, with the mission of empowering women through photography and videography. For Daughters of Bangladesh Garment Factory Workers, they have partnered with Rainbow Collective, a documentary producer focused on human, children and social rights, to create a film as a part of an ongoing media training scheme at Nagorik Uddyog, offering children of garment workers a route into further education.

The Q&A discussion following the film will focus on the unheard voices of overlooked women in journalism and how to get these narratives into the public eye. The girls in the film are able to share their personal stories with the world on how garment factory work affects their lives indirectly, reflecting a variety of emotions and capturing moments of intimate visual stories. Our speakers, with a range of journalistic experiences will focus on how best to continue to empower women such as the girls in the film.

Watch the trailer here: https://www.youtube.com/watch?v=ldp2-a1DG2c&app=desktop

Moderator

Lucile Stengel: Head of Social Media and editor Lensational

Lucile currently works for the BBC World Service, where she dedicates her time to understanding and better servicing the BBC’s audience in developing countries, as well as developing a new impact framework for the organisation. Lucile has a particular interest in the interplay of gender, culture, and the media, an area she has been researching since university. She holds a BSc in Political Science, a MA in Global Communications and Strategy, and a MSc in Local Economic Development from Sciences Po and the LSE. She has developed a repertoire of research and strategy skills in her previous experiences across the media and third sector, and regularly contributes to gender and social justice publications.

Speakers

Richard York is the Co-Founder and Co-Director of Rainbow Collective

Alongside their own award-winning broadcast and cinematic documentaries (Al Jazeera, Britdoc, SABC), Rainbow Collective have designed and facilitated projects in countries including Bangladesh, Jamaica, South Africa, Cambodia and Turkey, empowering marginalised children and adults to produce powerful and effective documentaries and animation. The films their students produce have proved equally at home screening at international film festivals as they are at the centre of campaigns for real social change. Since 2008 Rainbow Collective have worked closely with garment working communities and trade unions to improve working and living conditions through films and training projects, including playing a key role in the successful campaign to secure full compensation for the families affected and bereaved by the 2013 Rana Plaza factory collapse in Bangladesh.

For the first time, cameras go inside a police station run by and for women, revealing a unique perspective on what’s really going on in Indian society. Following the Delhi rape case in December 2012, hundreds of these police stations were set up across India. Parmila Dalal is second-in-command at the Women Police Station in Sonipat, in the northern state of Haryana.

This surprising documentary follows Parmila and her special team of scooter-mounted female officers who are focused on preventing the harassment of women. However, much of Parmila’s time is also spent mediating in family disputes, acting as a social worker. The family arguments Parmila is tasked with diffusing illuminate many of the fault lines running through Indian society.

Glimpses into Parmila’s family life capture uninhibited encounters with family members at war over such contentious matters as caste, dowry payment and relations with unpleasant in-laws. These scenes of family discord reveal how women’s lives are changing in India today, and how they often struggle to reconcile the conflicting demands made upon them.

Directed by: Ruhi Hamid
Executive produced by: Christopher Mitchell
Country: UK/India
Runtime: 48′

This screening will be followed by a Q&A with director Dawn Porter via Skype.

At this very moment, a woman’s reproductive rights in the United States are not clear. Since 2010, state legislatures have passed more than 288 laws restricting abortion clinics and their doctors. From mandating the width of hallways to requiring physicians to have active admitting privileges at nearby hospitals, these measures are forcing clinics across the country to shut down in epidemic numbers.

Lawyer-turned-acclaimed-filmmaker Dawn Porter picks up the plight of the doctors and clinic operators along with the countless women relying on these facilities to uphold their legal right to safe abortion. As a landmark case against these laws brought by Texas clinics to the Supreme Court nears a verdict, the stakes on either side of the intractable divide have never been higher.

Winner of Sundance’s Special Jury Prize for Social Impact, this highly prescient study exposes the human cost of the war over choice.

Directed by: Dawn Porter
Country: United States
Year: 2016
Runtime: 80′
www.trappeddocumentary.com

On Friday 20 May, the Frontline Club hosted a screening of ‘He Named Me Malala’, an insightful and emotional portrait of Malala Yousafzai, that usher us into Malala’s life; both now and before she was shot by the Taliban while campaigning for Pakistani girls’ right to education. The screening was followed by a panel discussion moderated by BBC journalist Sima Kotecha, with Gulwali Passarlay, an author and Afghan political refugee, Philippa Lei, Director or Policy and Advocacy at Malala Fund, and Elin Martinez, researcher in the Children’s Rights Division at Human Rights Watch. The panel discussed the right to education for refugees, all contributing their individual expertise.

A constant theme throughout the evening was lack of access to education for refugees around the world, whether in refugee camps in Jordan, or in foster care in the UK, and what barriers need to be overcome for this to change. Passarlay arrived in the UK when he was 13 years old, after travelling for one year, through ten countries. He initially found it very difficult to access education, and describing it as “the key to freedom”. All panel members agreed that education was vital for all refugee children, with Lei commenting that many governments do not spend enough money on an infrastructure to facilitate providing education to all refugees, and that rich countries should be providing more resources to those countries that are hosting the majority of the world’s refugees, stating that: “…governments have a financial responsibility to provide an education for every child”.

The panel all dismissed the financial argument that educating and housing refugees will use up their resources, with Martinez observing that “resources can be found when they want to be”. Passarlay stated that these arguments, which create an “us and them” are unfair, asking

“Why are we blaming refugees [for austerity]? We should see refugees not as a burden, but as an investment”

And stating that, as Malala has said before, “we have a voice in the West but we take it or granted”. In agreement, Lei observed that “Malala is using her voice to bring some of that moral conscience back”, when she is not scared to ask difficult questions and talk about the issues that matter to her.

In answer to an audience member asking what do refugee children need the most, Passarlay, with agreement from the other panel members, told her that “What is in short supply is dignity, human value…understanding and compassion. Education is important, but, they are traumatised, before that they need love”.

For more information about any future screenings of ‘He named me Malala’ and the work of the Malala Fund, visit https://www.withmalala.org/

He Named Me Malala is an intimate portrait of Nobel Peace Prize Laureate Malala Yousafzai, who was targeted by the Taliban and severely wounded by a gunshot when returning home on her school bus in Pakistan’s Swat Valley. The then 15-year-old was singled out, along with her father, for advocating for girls’ education, and the attack on her sparked an outcry from supporters around the world. She miraculously survived and is now a leading campaigner for girls’ education globally as co-founder of the Malala Fund.

Acclaimed documentary filmmaker Davis Guggenheim (An Inconvenient Truth, Waiting for Superman) shows us how Malala, her father Zia and her family are committed to fighting for education for all girls worldwide. The film gives us an inside glimpse into this extraordinary young girl’s life – from her close relationship with her father who inspired her love for education, to her impassioned speeches at the UN, to her everyday life with her parents and brothers.

The release of He Named Me Malala coincided with a 12-month social action and advocacy campaign – #withMalala. Through audience engagement with global and in-country calls to action, the campaign aims to raise mass awareness, funding, and policy change by activating millions of people worldwide as newfound champions for girls’ education globally.

Sima Kotecha (moderator) is a British television and radio journalist working for the BBC. She currently is a multimedia reporter for BBC Radio 4’s flagship Today programme and makes regular appearances on the main BBC News TV bulletins as a reporter. She also presents the BBC1 TV news bulletin at 8pm and has presented Radio 5Live’s Up All Night and Newsday on the BBC World Service.

Gulwali Passarlay is an Afghan political refugee currently reading politics and international relations at the University of Manchester. He has appeared on the BBC, Channel 4 News and TEDx.

Philippa Lei is Director of Policy and Advocacy at Malala Fund. Philippa studied NGOs and International Development at LSE after spending 3 years in Romania working with children orphaned by AIDS. She held senior positions at World Vision and Save the Children before joining Malala Fund and has published papers and worked extensively on child rights policy, lobbying and programming related to international development.

Elin Martinez joined Human Rights Watch in July 2014, as a Researcher in the Children’s Rights Division of Human Rights Watch, focused on the right to secondary education. She previously worked for the Global Partnership for Education’s Secretariat in Washington, as well as Save the Children UK, where she led the organization’s global advocacy efforts on the right to education in humanitarian emergencies and armed conflict.
Prior to focusing on global education advocacy, she worked at Franciscans International, a faith-based international NGO. Focused on human rights issues in the Asia Pacific, she worked with grassroots human rights defenders and advocacy organizations to develop national human rights advocacy strategies and to increase accountability for human rights violations through UN human rights bodies. You can follow her work on twitter via @Martinez_Elin or by visiting: https://goo.gl/V9m0jW

https://www.withmalala.org/
Directed by: Davis Guggenheim
Country: UK
Year: 2015
Runtime: 88′

Sadaf Rahimi is the most accomplished female boxer in Afghanistan and well known within her community in Kabul, though her talent attracts social ridicule as well as fame. With the encouragement of her school teacher, Sadaf joined the newly-created women’s boxing team at the age of 13 once her family had returned to their country after being refugees in Iran.

One in a group of 30 girls coached by Saber Sharifi, Sadaf trains in Kabul’s Ghazi Stadium – the same stadium used as a venue for public executions under the Taliban government in the late 1990s. Granted permission by their parents to participate in the boxing team, Sadaf and her teammates represent changing perspectives towards women’s roles in Afghan society. Qualifying for some of the most prestigious competitions in the world, the girls’ outlook towards tradition is influenced by their experiences abroad. At the same time, many of the girls are criticised by their classmates and neighbours for having left Afghanistan.

Sadaf’s boxing and academic achievements have led her into public visibility and turned her into a role model for many Afghan young women – although her athletic career has been jeopardised by death threats and interference from the Afghan Boxing Association, which barred her from travelling to compete in the 2012 London Olympics.

Allowing Sadaf to speak for herself, filmmakers Silvia Venegas and Antonio Amador create an inspiring portrait of a confident and ambitious Afghan woman who is fully supported by her family, yet caught in a changing society where government institutions continue to impose strict social restrictions.

Directed by: Silvia Venegas and Antonio Amador
Country: Spain
Year: 2015
Runtime: 75’

 
On Monday 30 March the Frontline Club hosted a screening of A Quiet Inquisition, followed by an insightful discussion with director Alessandra Zeka. Recently previewed at the London edition of the Human Rights Watch Film Festival, A Quiet Inquisition has been described by the Huffington Post as a film that “every human rights advocate should see.”

A Quiet Inquisition follows the daily life of OBGYN Doctor Carla Cerrato, as she works at a public hospital in Nicaragua and battles the restrictions of a new law which forbids the termination of any pregnancy, even when a woman’s life is at stake. As pregnant women and young girls turn to the hospital for help, Carla and her colleagues are torn between fears of prosecution and their moral duty as doctors to save lives. Illuminating the deadly implications of this law through human stories, the film reveals the reality of an absolute abortion ban against the backdrop of Nicaragua’s complex political, religious and historical identity.

The documentary was inspired by an article in the New York Times that examined the restrictions of El Salvador’s anti abortion laws. “We actually started the film in El Salvador, but when we arrived there people did not want to talk about the issue,” said Zeka.

Along with co-director Holen Sabrina Kahn, Zeka then turned to Nicaragua, where the change in law had just gone into effect and people were more willing to speak. It was there that they met A Quiet Inquisition’s main protagonist, Dr Carla Cerrato, and the story began to take hold.

“Over the period of time, Carla opened up a lot and it was like following the dots for us,” Zeta said.

Really eye opening night @frontlineclub watching The Quiet Inquisition http://t.co/jdix2KdmUZ watch if you can

— Gina (@CuriousGe) March 30, 2015

Zeka discussed her intent to show the “universe of the doctor,” placing the issue of anti-abortion laws in a broader political and socio-economic context. Poverty, lack of education, and teenage pregnancies are prevalent in Nicaragua, an environment that reinforces the struggles faced by Carla in her daily work.

Zeka spoke of how she wanted to underline these issues from the beginning of the film, particularly by focusing on Dr. Cerato’s work with young girls.

“It was pretty disturbing for me,” she said. “That was one of the hardest things for me to deal with whilst making this film: 12-, 13-year-old girls walking out the hospital with 25 year old men. We met 45 year old guys with 13 year old girls.”

Asked by an audience member if she thinks Carla will get in trouble with the authorities for being so frank in her criticism of the new law and her willingness to break it, Zeka said: ‘We’re hoping and praying that she wont… I spent a lot of time with her and sometimes she’s very excited and gung ho about it and sometimes she’s a little bit afraid.”

The film has so far received an overwhelmingly positive response, and the hope is that Dr. Cerato’s story will continue to have a wider impact.

“We would like things to be different, we would like people to have a conversation about it,” said Zeka.

“We will also show the film to medical students, as there are many who don’t know how to make procedures for medical abortions. Even if we can achieve that, to have more students in Nicaragua to be trained for these cases, we have already achieved something.”

Click here to find out more information about A Quiet Inquisition and upcoming screenings.

At a public hospital in Nicaragua, OBGYN Dr Carla Cerrato must choose between following a law that bans all abortions and endangers her patients or taking a risk and providing the care that she knows can save a woman’s life. In 2007, Dr. Cerrato’s daily routine took a detour.

The newly elected government of Daniel Ortega, a former Marxist revolutionary who converted to Catholicism to win votes, overturned a 130-year-old law protecting therapeutic abortion. The new law entirely prohibits abortion, even in cases of rape, incest, or when a woman’s life is at stake.

As Dr Cerrato and her colleagues navigate this dangerous dilemma, the impact of the law reveals the tangible reality of prohibition against the backdrop of a political, religious, and historically complex national identity. In A Quiet Inquisition, the emotional core of the story – the experiences of the young women and girls who are seeking care — illustrates the ethical implications of one doctor’s response.

Directed by Alessandra Zeka and Holen Sabrina Kahn
Duration: 65′
Year: 2015
For enquiries info@ journeyman.tv

In 2012, the brutal gang rape on a Delhi bus of a 23-year-old medical student, who later died from her injuries, made international headlines and ignited protests. India’s Daughter is an impassioned plea for change and a tribute to a remarkable and inspiring young woman. The film explores the compelling human stories behind the incident and the political ramifications in India.

BAFTA winning filmmaker Leslee Udwin, herself a victim of rape, went to India inspired by the protests against sexual assault. With an all Indian crew, she got exclusive, first time on camera interviews with the rapists and defence attorney.

This month India’s government banned the film while the BBC moved their planned broadcast up by days and ignited a new controversy.

Following the screening we will be joined by director Leslee Udwin and others to discuss the international reactions to the film, the aftermath of the Indian broadcast ban, and the greater issue of gender based violence.

Yasmin Ali Bhai Brown is a journalist who has written for The Guardian, Observer, The New York Times, Time Magazine, Newsweek, The Evening Standard, The Mail and other newspapers and is now a regular columnist on The Independent and London’s Evening Standard. She is also a radio and television broadcaster and author of several books exploring immigration, feminism, and race relations.

Directed by: Leslee Udwin
UK/India 2015
Runtime: 62 minutes

This screening is presented with the help of iProbono.
iProbono is a non-profit network connecting lawyers to civil society organisations and activists. The network’s global outreach enables the legal community to engage in projects from around the world and allows organisations to source assistance both locally and across jurisdictions.

As part of its free speech campaign in India, iProbono is representing Leslee Udwin and ‘India’s Daughter’.

Nowhere To Call Home tells the powerful story of Zanta, a Tibetan woman who moves to Beijing against the wishes of her in-laws so that her young son can receive an education.

 
Widowed at 28, Tibetan farmer Zanta defies her tyrannical father-in-law and refuses to marry the family’s only surviving son following her husband’s death. When Zanta’s in-laws won’t let her seven-year-old child go to school, she flees her village and heads to Beijing where she becomes a street vendor. Destitute and embattled by discrimination, Zanta inveigles a foreign customer into helping pay her boy’s school fees. On a New Year’s trip back to her village, Zanta’s in-laws take her son hostage, drawing the unwitting American into the violent family feud. The two women forge a partnership in an attempt to outmanoeuvre the in-laws, who, according to tradition, get the final say on their grandson’s future.

In an article titled “Inspiring Dialogue, Not Dissent, in China,” the New York Times wrote that “The film breaks down the sometimes romantic Shangri-La view that Westerners have of Tibet… and offers a shocking portrait of the outright racism… Tibetans face in Chinese parts of the country.”

Directed by Jocelyn Ford
Duration: 76′
Year: 2014