The most controversial activist organisation of the 21st century, WikiLeaks has attracted strong, divergent opinions from across the political spectrum. Lauded by its supporters for its indispensable role in holding governments, corporations, and human rights abusers to account, its advocates and journalists have been excoriated by opponents as traitors, threats to legitimate governments, and misogynists. Yet so much media attention is focused upon founder Julian Assange, and his ongoing confinement in the Ecuadorian embassy in London, that the broader dimensions of WikiLeaks are rarely aired. Especially critical in these omissions is the role of women, both in the organisation and the more general struggle for information freedom.

The protagonists of the new book:Women, Whistleblowing, WikiLeaks will be in conversation to discuss the themes of their new book and show the various ways they’ve been at the forefront of such activity: acclaimed journalist and human rights advocate Sarah Harrison, Croatian-German theatre director, activist and author Angela Richter, and Renata Avila, a celebrated Guatemalan human rights lawyer and digital rights expert. Ranging widely, from the dishonesty of the mainstream media and its contrasting treatment of Edward Snowden and Chelsea Manning to the terrifying monopolisation of personal data under tech behemoths such as Facebook and Google, join us for an ongoing debate around digital activism.

Link to book can be found here.

Chair

Pamela Anderson has a portfolio of work that encompasses entertainment and activism. She is a supporter of the Courage Foundation, that supports whistleblowers including Edward Snowden, Julian Assange and Chelsea Manning. She is a board member of both PETA and The Sea Shepherd Conservation Society. The Pamela Anderson Foundation  supports organisations and individuals that stand on the front lines, in the protection of human, animal, and environmental rights

Speakers

Renata Avila is a Guatemalan human rights lawyer and digital rights expert. She has played a central role in the international team of lawyers representing WikiLeaks founder Julian Assange and his staff. An access to knowledge activist, she is on the Board of Creative Commons and is a trustee of the Courage Foundation.

Sarah Harrison is a renowned British journalist and human rights defender. A former researcher with the London-based Centre for Investigative Journalism and the Bureau of Investigative Journalism, Harrison left to work at WikiLeaks during the height of its groundbreaking publication of US military and State Department documents in 2010. She is also a co-founder of the Courage Foundation.

Angela Richter is an acclaimed Croatian-German theatre director, activist and author. She founded the Fleet Street Theatre in Hamburg in 2001, and was house director at the Cologne National Theatre Schauspiel Köln from 2013 to 2016. Her interest in WikiLeaks led to the 2012 theatre piece “Assassinate Assange.” In 2015, Richter staged the large scale transmedia-project “Supernerds” in co-production with German national TV WDR, dealing with mass surveillance. The text was based on conversations with digital dissidents and whistleblowers, such as Edward Snowden, Daniel Ellsberg and Julian Assange. “Supernerds” received the Eyes & Ears Media Award, was nominated for the SXSW Innovation Award in Texas, and is nominated for the BANFF Award in Canada.

For the first time, cameras go inside a police station run by and for women, revealing a unique perspective on what’s really going on in Indian society. Following the Delhi rape case in December 2012, hundreds of these police stations were set up across India. Parmila Dalal is second-in-command at the Women Police Station in Sonipat, in the northern state of Haryana.

This surprising documentary follows Parmila and her special team of scooter-mounted female officers who are focused on preventing the harassment of women. However, much of Parmila’s time is also spent mediating in family disputes, acting as a social worker. The family arguments Parmila is tasked with diffusing illuminate many of the fault lines running through Indian society.

Glimpses into Parmila’s family life capture uninhibited encounters with family members at war over such contentious matters as caste, dowry payment and relations with unpleasant in-laws. These scenes of family discord reveal how women’s lives are changing in India today, and how they often struggle to reconcile the conflicting demands made upon them.

Directed by: Ruhi Hamid
Executive produced by: Christopher Mitchell
Country: UK/India
Runtime: 48′

In covering stories of women recruited through social media, news outlets often fetishise female terrorists and contribute to stereotypes of radicalised women as femme fatals or individuals who have struggled to integrate into Western culture. Research increasingly suggests they are educated and highly politicised women who seek power and a sense of agency over their lives.

What role does the media play in influencing the decisions female extremists make and how can journalists better cover the issue?

Chaired by Flora Bagenal senior reporter for the Women and Girls Hub by News Deeply.

Speakers:

Nikita Malik is a Senior Researcher at Quilliam, where she heads research on women, children, and families against radicalisation. Nikita has presented findings to EU and UK Parliament, the Foreign and Commonwealth Office (FCO), the Department of State (DoS), and the EU Radicalisation Awareness Network (RAN). She also heads Fempower”, a pioneering outreach program on gender extremism, providing training workshops to women in local communities, schools, and universities on the issues of honour based violence, forced marriage, FGM, and domestic abuse.

Fatima Zaman is currently delivering Prevent, part of the UK government’s counter terrorism strategy. She coordinates multi-agency efforts to prevent individuals from being drawn into
terrorism. She previously led ministerial policy work relating to counter terrorism. She is also a
global CVE Advocate at the Kofi Annan Foundation, working to counter extremism through peer-to-peer engagement.

Charlie Winter is a Senior Research Fellow at the International Centre for the Study of Radicalisation. He studies terrorism, insurgency and innovation, with a focus on online and offline strategic communication. He is pursuing a PhD in War Studies at King’s College London, examining the outreach efforts of the Islamic State in a comparative historical context. Winter regularly consults for governments and often appears in international broadcast and print media. He is an Associate Fellow at the International Centre for Counter-Terrorism.

Edit Schlaffer is a social scientist, writer, activist and holds a PhD from the University of Vienna. In 2002 she founded Women without Borders, an international research-based NGO, encouraging women to take the lead in their personal and public lives. Her research and activities focus on women as agents of change and as driving forces to stabilize an insecure world.

Presented in partnership with News Deeply.

This discussion will ask: what ethical concerns arise when documenting the experiences of survivors of sexual violence, and how can journalists best help bring perpetrators to justice? Should journalists covering the issues of sexual violence and sex trafficking complete specified training?

With a focus on Syria our panel will be mapping out what is being done to help individuals and communities affected by sexual violence, and discuss ethical practices for journalists reporting on the topic and engaging with survivors.

Chaired by Liz Ford , deputy editor of the Guardian’s Global development website. Liz leads on women’s rights and gender equality issues. She was previously editor of the Guardian’s Katine website, and before that worked on the Guardian’s education desk.

Speakers (Full panel announced soon):

Lauren Wolfe is an award-winning journalist who has written for publications from The Atlantic to The New York Times. She is also a columnist at Foreign Policy magazine and on the advisory committee of the International Campaign to Stop Rape & Gender Violence in Conflict. Previously, she was the senior editor of the Committee to Protect Journalists, where she broke ground on the issue of journalists and sexualised violence. She studied at Wesleyan University and Columbia’s Graduate School of Journalism, and is the recipient of the 2012 Frank Ochberg Award for Media and Trauma Study and four Society of Professional Journalists awards. Action on Armed Violence listed her as one of the “Top 100 Most Influential Journalists Covering Armed Violence.”

Marie Forestier is an independent journalist and researcher. She is currently a visiting fellow at LSE Centre for Women, Peace and Security, researching sexual violence against Syrian women committed by pro-regime forces. Marie has been a correspondent in Istanbul, Turkey, covering Turkey, the Syrian crisis, Iraq and Iran for various television and radio stations, such as ARTE, RTS, France 2. In 2015, Marie directed a documentary about sexual crimes committed in Timbuktu, Mali in 2012-2013 and the victims’ quest for justice. Front 2009 to 2011, Marie was a correspondent in Kabul, Afghanistan.

Belinda Goldsmith is an award-winning journalist who has reported and led news teams from more than 20 countries on political, financial and general news. She is Editor-in-Chief of the Thomson Reuters Foundation, the charitable arm of the world’s leading provider of news and information. In this role, she runs a global team of nearly 30 journalists and a large network of stringers covering the world’s under reported stories, focusing on humanitarian issues, women’s rights, climate change, corruption and good governance. She also plays a key role in the editorial content for the annual Trust Women Conference, the Thomson Reuters Foundation’s global event dedicated to putting the rule of law behind women’s rights through concrete action.

Hillary Margolis is a researcher in the Women’s Rights Divisions at Human Rights Watch. Her work focuses on violence against women and girls, including sexual violence in conflict, interpersonal and domestic violence, and protection risks for female migrants, refugees and asylum-seekers. Most recently, she has conducted research on migrants and refugees arriving in Italy via Libya, and on sexual violence by armed groups in the Central African Republic conflict. Her previous work at Human Rights Watch includes documentation of the impact of the Syrian conflict on women and girls, including exploitation and harassment in refugee settings, abuse of women in detention, and risks facing female activists and household heads.

In December of 2010, Tunisian street vendor Mohamed Bouazizi lit himself on fire protest of government corruption and poor living conditions. This act was a catalyst for the Arab Spring. Tunisians who had never known democracy were then left with the question of what democracy in their country could mean. A Revolution in Four Seasons seeks to answer that question from the perspective of two young women who persevere to change their country.

This compelling documentary follows journalist Emna Ben Jemaa and Constituent Assembly member Jawhara Ettis over the course of Tunisia’s critical first four years after the Revolution. Emna is a secular journalist fighting to keep religion out of government, while Jawhara works within Parliament to help gently guide the nation towards more Islamic principles. Both women exhibit remarkable determination, wisdom, and resilience in their efforts to steer the country towards disparate versions of the perfect democracy.

Through its central characters, the film embarks on an exploration of what it means to be a modern Islamic woman – balancing work, family, and politics in the context of a budding democracy. Over the four years following Tunisia’s revolution Jawhara and Emna must make difficult compromises as ambitious participants in this fragile new climate. Paralleling this is Tunisia’s development as it is threatened by economic strain, political assassinations, acts of terrorism, and protests which ultimately force Jawhara’s government to step down.

Directed by: Jessie Deeter
Country: United States
Year: 2015
Runtime: 90 mins

On the publication of her new book Afghanistan: Between Hope and Fear, Paula Bronstein will join us in conversation with Christina Lamb to discuss her expansive work that intimately captures everyday life in Afghanistan against the backdrop of the 14-year US-led invasion and its enduring legacy.

Paula Bronstein is an American photojournalist and a multiple nominee and award-winner of international contests including The Pulitzer, Pictures of the Year International, and The National Press Photograher’s Association. Previously a senior staff photographer with Getty Images and for major US newspapers including The Hartford Courant and the Chicago Tribune, she is currently based in Bangkok, Thailand as a freelancer represented by Reportage by Getty Images.

Christina Lamb is the roving foreign affairs correspondent for The Sunday Times. She has been a foreign correspondent for more than twenty five years, living in Pakistan, Brazil and South Africa, first for the Financial Times then The Sunday Times. She is the author of The Africa House, House of Stone: The True Story of a Family Divided in War-torn Zimbabwe, Waiting For Allah: Pakistan’s Struggle for Democracy, The Sewing Circles of Herat, My Afghan Years and co-author of I Am Malala. Her new book Farewell Kabul: From Afghanistan to a More Dangerous World, is based on two decades of reporting from Afghanistan.

Photo: Paula Bronstein/Getty Images

This screening will be followed by a Q&A with director Dawn Porter via Skype.

At this very moment, a woman’s reproductive rights in the United States are not clear. Since 2010, state legislatures have passed more than 288 laws restricting abortion clinics and their doctors. From mandating the width of hallways to requiring physicians to have active admitting privileges at nearby hospitals, these measures are forcing clinics across the country to shut down in epidemic numbers.

Lawyer-turned-acclaimed-filmmaker Dawn Porter picks up the plight of the doctors and clinic operators along with the countless women relying on these facilities to uphold their legal right to safe abortion. As a landmark case against these laws brought by Texas clinics to the Supreme Court nears a verdict, the stakes on either side of the intractable divide have never been higher.

Winner of Sundance’s Special Jury Prize for Social Impact, this highly prescient study exposes the human cost of the war over choice.

Directed by: Dawn Porter
Country: United States
Year: 2016
Runtime: 80′
www.trappeddocumentary.com

Sadaf Rahimi is the most accomplished female boxer in Afghanistan and well known within her community in Kabul, though her talent attracts social ridicule as well as fame. With the encouragement of her school teacher, Sadaf joined the newly-created women’s boxing team at the age of 13 once her family had returned to their country after being refugees in Iran.

One in a group of 30 girls coached by Saber Sharifi, Sadaf trains in Kabul’s Ghazi Stadium – the same stadium used as a venue for public executions under the Taliban government in the late 1990s. Granted permission by their parents to participate in the boxing team, Sadaf and her teammates represent changing perspectives towards women’s roles in Afghan society. Qualifying for some of the most prestigious competitions in the world, the girls’ outlook towards tradition is influenced by their experiences abroad. At the same time, many of the girls are criticised by their classmates and neighbours for having left Afghanistan.

Sadaf’s boxing and academic achievements have led her into public visibility and turned her into a role model for many Afghan young women – although her athletic career has been jeopardised by death threats and interference from the Afghan Boxing Association, which barred her from travelling to compete in the 2012 London Olympics.

Allowing Sadaf to speak for herself, filmmakers Silvia Venegas and Antonio Amador create an inspiring portrait of a confident and ambitious Afghan woman who is fully supported by her family, yet caught in a changing society where government institutions continue to impose strict social restrictions.

Directed by: Silvia Venegas and Antonio Amador
Country: Spain
Year: 2015
Runtime: 75’

From 29-31 October, the Frontline Club is hosting screenings as part of the Green Caravan Film Festival, a travelling festival of environmental and socially conscious films. The full lineup can be found here.

This screening will be followed by a Q&A with director Holly Morris via Skype.

Some 200 women defiantly cling to their ancestral homeland in Chernobyl’s radioactive “Exclusion Zone.” While most of their neighbours have long since fled and their husbands have gradually died off, this stubborn sisterhood is hanging on — even, oddly, thriving — while trying to cultivate an existence on toxic earth.

Why do they insist on living on farms that the Ukrainian government and radiation scientists have deemed uninhabitable? How do they manage to get by, isolated, in an abandoned landscape guarded by soldiers and rife with wild animals? How has the radiation affected them these past 29 years?

“Starvation is what scares me, not radiation,” says resident Hanna Zavorotyna. That stark choice reveals the incredible journey that the women have traveled: from Stalin’s enforced famines in the 1930s, through Nazi occupation, to nuclear disaster. Like the wolves, moose, wild boar and other wildlife not seen for decades that have come back to the abandoned forests around Chernobyl, the women of the Exclusion Zone have an extraordinary story of survival, and offer a dark yet strangely affirming portrait of post-apocalyptic life.

Directed and produced by: Anne Bogart
Runtime: 72′
Year: 2015
Country: USA

At a time when the US tech sector outpaces the overall growth of the employment market, CODE: Debugging the Gender Gap asks the important question: where are all the women? This revealing and uplifting documentary examines the reasons why more girls are not seeking opportunities in computer science and explores how cultural mindsets, stereotypes, educational hurdles and sexism all play a role in widening this employment gap.

Director Robin Hauser Reynolds opens by pointing out that in the early days of programming, women dominated the field. This was in no small part because male engineers thought this “soft” work was relatively trivial compared to building machines. In the decades that followed, more and more women entered computing; by the mid-1980s, women made up more than 35 percent of computer science graduates. Then began a falloff that persists to this day, with women making up only 15 percent of computer science majors in the U.S.

Expert voices from the worlds of technology, psychology, science, and education are intercut with inspiring stories of diverse women who are engaged in the fight to challenge complacency in the tech industry and to have their voices heard. CODE aims to inspire change in mindsets, in the educational system, in startup culture and in the way women see themselves in the field of coding.

Director: Robin Hauser Reynolds
Producers: Robin Hauser Reynolds, Staci Hartman, Christie Herring
Year: 2015
Running time: 80′

Dr. Sue Black was named one of the top 50 women in tech in Europe in 2015 and is an award-winning computer scientist, radical thinker and passionate social entrepreneur. She has regular tech columns in both The Guardian and The Daily Mirror.