The film is divided into six chapters, with the first two focusing on the kidnappings and murders of countless women in the Mexican cities of Juarez and Ecatepec. From there, the film reveals that these abductions go further; journalists, union leaders, social justice activists and priests are among the many victims of cartel-related violence. The most damning parts of the documentary come when the federal and state governments’ involvement in these atrocities is revealed.

An audience favourite, Elie’s beautifully shot and original film has won numerous awards including the FACT:AWARD at CPH:DOX 2019, Grand Prize for Best Canadian Feature at Montreal International Documentary Festival 2018 and Audience Award & Special Mention at FICUNAM 2019.

The screening (duration: 152′) will be followed by a short Q&A with the director, moderated by award-winning filmmaker James Jones.

Speakers

Julien Elie made his film debut in 2002 with The Last Meal, his first documentary about the death penalty in Texas. Several years later, after many travels in Mexico, he decided to do a film about the surge of violence in this country. Dark Suns is his first film in fifteen years.

In covering stories of women recruited through social media, news outlets often fetishise female terrorists and contribute to stereotypes of radicalised women as femme fatals or individuals who have struggled to integrate into Western culture. Research increasingly suggests they are educated and highly politicised women who seek power and a sense of agency over their lives.

What role does the media play in influencing the decisions female extremists make and how can journalists better cover the issue?

Chaired by Flora Bagenal senior reporter for the Women and Girls Hub by News Deeply.

Speakers:

Nikita Malik is a Senior Researcher at Quilliam, where she heads research on women, children, and families against radicalisation. Nikita has presented findings to EU and UK Parliament, the Foreign and Commonwealth Office (FCO), the Department of State (DoS), and the EU Radicalisation Awareness Network (RAN). She also heads Fempower”, a pioneering outreach program on gender extremism, providing training workshops to women in local communities, schools, and universities on the issues of honour based violence, forced marriage, FGM, and domestic abuse.

Fatima Zaman is currently delivering Prevent, part of the UK government’s counter terrorism strategy. She coordinates multi-agency efforts to prevent individuals from being drawn into
terrorism. She previously led ministerial policy work relating to counter terrorism. She is also a
global CVE Advocate at the Kofi Annan Foundation, working to counter extremism through peer-to-peer engagement.

Charlie Winter is a Senior Research Fellow at the International Centre for the Study of Radicalisation. He studies terrorism, insurgency and innovation, with a focus on online and offline strategic communication. He is pursuing a PhD in War Studies at King’s College London, examining the outreach efforts of the Islamic State in a comparative historical context. Winter regularly consults for governments and often appears in international broadcast and print media. He is an Associate Fellow at the International Centre for Counter-Terrorism.

Edit Schlaffer is a social scientist, writer, activist and holds a PhD from the University of Vienna. In 2002 she founded Women without Borders, an international research-based NGO, encouraging women to take the lead in their personal and public lives. Her research and activities focus on women as agents of change and as driving forces to stabilize an insecure world.

Presented in partnership with News Deeply.

At the same time, the controversial leader has shaken up the country’s diplomatic ties, calling for a split from the United States and turning toward China as a new ally. This move presents an obstacle to the United States’ efforts in the South China Sea, unsettling its position as the dominant power in the Pacific.

Will president Duterte be held accountable for the mass killings taking place in the Philippines? How did the disturbing violence currently sweeping the country begin, and what does it teach us about impunity, power and the spread of violence?

Chaired by Paul French, an author and widely published analyst and commentator on Asia, Asian politics and current affairs.

Speakers (full panel announced soon):

Gilberto G.B. Asuque is Deputy Chief of Mission of the Philippine Embassy

Vladimir Hernandez has been working as a journalist for over 15 years in Latin America, covering big stories like the drug war in Mexico, the years of Hugo Chavez in Venezuela and the Kirchner rule in Argentina.

Eric Gutierrez is Christian Aid’s Senior Governance Adviser, and author of the report “Drugs and Illicit Practices: Assessing its impact on governance and development”. He grew up in Manila, where he published on criminal entrepreneurs in illicit economies, and the conflict in the Muslim areas of southern Philippines. His PhD dissertation is entitled “Criminals Without Borders: Agrarian Change and Interdependency in Opium and Coca Producing Territories”, a comparative study of the political economy of illicit drugs in Afghanistan, Myanmar, Colombia, and Bolivia.

Daniel Berehulak (via Skype) is an independent Australian photojournalist and frequent contributor to the New York Times. He won the 2015 Pulitzer Prize for feature photography for his coverage of the Ebola epidemic in West Africa for the New York Time and was a 2011 Pulitzer Prize finalist for his coverage of the 2010 Pakistan floods. His photography has also earned three World Press Photo awards and the John Faber award from the Overseas Press Club. Berehulak recently spent one month in the Philippines where he covered Duerte’s drug war, photographing over 40 murder scenes.

Dr Tom Smith is an academic working for the University of Portsmouths team teaching at the Royal Air Force College Cranwell. His PhD focused on the muslim insurgencies in southern Thailand and the Philippines. Since May 2016 Tom has had 5 op-eds for the Guardian published, 2 in the Conversation and the Diplomat Magazine as well as several other international media outlets including the UN Dispatch podcast, all focused on the many complex issues in the Philippines.

Header image by Daniel Berehulak for the New York Times

This discussion will ask: what ethical concerns arise when documenting the experiences of survivors of sexual violence, and how can journalists best help bring perpetrators to justice? Should journalists covering the issues of sexual violence and sex trafficking complete specified training?

With a focus on Syria our panel will be mapping out what is being done to help individuals and communities affected by sexual violence, and discuss ethical practices for journalists reporting on the topic and engaging with survivors.

Chaired by Liz Ford , deputy editor of the Guardian’s Global development website. Liz leads on women’s rights and gender equality issues. She was previously editor of the Guardian’s Katine website, and before that worked on the Guardian’s education desk.

Speakers (Full panel announced soon):

Lauren Wolfe is an award-winning journalist who has written for publications from The Atlantic to The New York Times. She is also a columnist at Foreign Policy magazine and on the advisory committee of the International Campaign to Stop Rape & Gender Violence in Conflict. Previously, she was the senior editor of the Committee to Protect Journalists, where she broke ground on the issue of journalists and sexualised violence. She studied at Wesleyan University and Columbia’s Graduate School of Journalism, and is the recipient of the 2012 Frank Ochberg Award for Media and Trauma Study and four Society of Professional Journalists awards. Action on Armed Violence listed her as one of the “Top 100 Most Influential Journalists Covering Armed Violence.”

Marie Forestier is an independent journalist and researcher. She is currently a visiting fellow at LSE Centre for Women, Peace and Security, researching sexual violence against Syrian women committed by pro-regime forces. Marie has been a correspondent in Istanbul, Turkey, covering Turkey, the Syrian crisis, Iraq and Iran for various television and radio stations, such as ARTE, RTS, France 2. In 2015, Marie directed a documentary about sexual crimes committed in Timbuktu, Mali in 2012-2013 and the victims’ quest for justice. Front 2009 to 2011, Marie was a correspondent in Kabul, Afghanistan.

Belinda Goldsmith is an award-winning journalist who has reported and led news teams from more than 20 countries on political, financial and general news. She is Editor-in-Chief of the Thomson Reuters Foundation, the charitable arm of the world’s leading provider of news and information. In this role, she runs a global team of nearly 30 journalists and a large network of stringers covering the world’s under reported stories, focusing on humanitarian issues, women’s rights, climate change, corruption and good governance. She also plays a key role in the editorial content for the annual Trust Women Conference, the Thomson Reuters Foundation’s global event dedicated to putting the rule of law behind women’s rights through concrete action.

Hillary Margolis is a researcher in the Women’s Rights Divisions at Human Rights Watch. Her work focuses on violence against women and girls, including sexual violence in conflict, interpersonal and domestic violence, and protection risks for female migrants, refugees and asylum-seekers. Most recently, she has conducted research on migrants and refugees arriving in Italy via Libya, and on sexual violence by armed groups in the Central African Republic conflict. Her previous work at Human Rights Watch includes documentation of the impact of the Syrian conflict on women and girls, including exploitation and harassment in refugee settings, abuse of women in detention, and risks facing female activists and household heads.

This screening will be followed by a panel discussion with director Stephanie Soechtig via Skype and others.

In the past few years, a drastic rise in mass shootings has ripped across the United States, compounding an epidemic of gun violence. Despite a growing body count at the hands of guns, and the outpour of shock and outrage that comes with it, the Obama administration has failed to respond with meaningful action. What is keeping the two sides of this debate — those favouring stricter gun control laws and Second Amendment purists like the NRA — from finding common ground?

Filmmaker Stephanie Soechtig and Katie Couric present a documentary that is scrupulously comprehensive and decidedly fair to both sides of one of the most polarising issues at play in the 2016 elections. Searingly powerful with never-before-seen footage and eye opening analysis of the influence of the NRA, Under the Gun gives a human face to a crisis that is scarring the conscience of a nation.

Directed by: Stephanie Soechtig
Narrated by: Katie Couric
Year: 2016
Runtime: 110′
Website: AtlasFilms.com

Chair:

Paul Adams is a correspondent for the BBC World Affairs Unit, based in London. He previously served as the BBC’s world affairs correspondent in London, before moving to Washington D.C. He regularly reports for BBC News, BBC World News, BBC Radio and the BBC One bulletins from various locations around the world.

Panelists:

Andrew Feinstein is the author of the critically-acclaimed The Shadow World: Inside the Global Arms Trade which reveals the corruption and malfeasance at the heart of the global arms business, both formal and illicit. The book is already in its 9th edition across a number of languages. “The Shadow World” was short-listed for the Alan Paton Prize for Non-fiction. A documentary feature film of the book premiered at the Tribeca Film Festival in New York in April 2016, and was awarded Best Documentary Feature at the Edinburgh International Film Festival. He is Executive Director of Corruption Watch – an NGO that details and exposes the impact of bribery and corruption on democracy, governance and development.

Iain Overton is Director of Investigations at the London-based charity Action on Armed Violence and an investigative journalist who has worked in over eighty countries around the world. Reporting from the killing zones of Colombia, Iraq and Somalia, he has made films for the BBC, ITN and Al Jazeera, as well as working with The Guardian, The Independent and The Sunday Times. He was founding editor of the Bureau of Investigative Journalism and is author of Gun Baby Gun.

Dr Leslie Vinjamuri is Director of the Centre on Conflict, Rights and Justice and a Senior Lecturer (Associate Professor) in International Relations at SOAS, University of London. Leslie is also Chair of the International Relations Speaker Series at SOAS. Her research areas include transatlantic relations, US foreign policy, the politics of international intervention, human rights and justice, and UN Security Council Diplomacy. Leslie is currently working on a project on international responses to mass atrocities and violent conflict which, funded by the Leverhulme Trust (2015-2016).

In this double Sundance winner, Matthew Heineman takes us deep into the world of Mexican drug cartels by embedding himself with two vigilante groups on either side of the US-Mexico border.

In Arizona’s Altar Valley — a narrow, 52-mile-long desert corridor known as Cocaine Alley — Tim “Nailer” Foley, an American veteran, heads a small paramilitary group called Arizona Border Recon, whose goal is to halt Mexico’s drug wars from seeping across the border. Meanwhile, in the Mexican state of Michoacán, Dr. Jose Mireles, a small-town physician known as “El Doctor,” shepherds a citizen uprising against the Knights Templar, the violent drug cartel that has wreaked havoc on the region for years.

Heineman repeatedly places himself in harm’s way, filming the chaos as Mireles’ vigilante group begins taking over towns – in the process adapting many of the violent tactics of the drug lords they’re trying to overpower. A visceral journey into North America’s heart of darkness, Cartel Land is a chilling meditation on the breakdown of order and the borderline where life trumps law.

Director: Matthew Heineman
Country: USA/Mexico
Running time: 98′
Distributed by Dogwoof

Within the space of three short months in 1994, a million people were murdered in the genocide in Rwanda. Populated by two irreconcilable tribes — the Tutsis and the majority Hutus — the country had long been steeped in a divisive antagonism.

Hutu women as well as men took up arms, violently killing their neighbours and taking commanding roles within armed groups. In Shades of True eight female perpetrators who have been imprisoned for their involvement in the genocide recount their experiences with clarity and self-scrutiny.

Immaculée admits to being an “animal” and undeserving of her traumatised son Jérôme’s forgiveness. He laments, “What is dirty will never regain its purity.” Filmmakers Violaine Baraduc and Alexandre Westphal guide us through some of the darkest atrocities of war by way of the women’s memories — and by the impossible love between a mother and her son.

Directed by Alexandre Westphal and Violaine Baraduc
Country: France
Runtime: 88′

Pug, a wisecracking 13-year-old living on a dangerous Westside block in Baltimore, has one goal in mind: to join The 12 O’Clock Boys, the city’s notorious urban dirt bike gang. Converging from all parts of the inner city, they invade the streets and perform dangerous stunts at high speeds. The gang has a history of clashing with the police, who are forbidden to chase the bikes for fear of endangering the public.

Pug looks to the pack for mentorship, spurred by their dangerous lifestyle. He narrates their world as if explaining a dreamscape, and this insight is complemented by unprecedented, action-packed footage of the riders in their element. The film presents the pivotal years of change in a boy’s life growing up in one of the most dangerous and economically depressed cities in the United States.

Director Lotfy Nathan followed Pug for three years over the course of the film’s production, documenting his transition from a witty and energetic boy to a teenager eager to find comradeship in a gang that prides in its recklessness and disregard for authority. Nathan does not pass judgement on the group’s activities; instead he gains up-close access to their high-suspense rides, following the mayhem through the eyes of a boy on the margins.

Directed by Lotfy Nathan
Duration: 71′
Year: 2014

Iain Overton

By Will Worley

On Wednesday 22 April 2015, the Frontline Club welcomed investigative journalist and director of policy and investigations at UK charity Action on Armed Violence, Iain Overton for a discussion on his latest book, Gun Baby Gun: A Bloody Journey into the World of the Gun. The event was chaired by ANC former politician and author Andrew Feinstein, who has written extensively on the global arms trade.

Overton began by reading an extract from Gun Baby Gun, describing the aftermath of a brutal shooting in Brazil. Soon after witnessing this event, he visited a basement gun repository in Sao Paulo, where he found “thousands and thousands of guns across the walls, a bit like a horrific library, where every sort of gun seemed to have a background story.”

This “basement of horrors” led Overton to realise that every single gun present “told this story of disconnected realities.”

The ignorance of arms manufacturers and dealers as to the eventual fate of their guns “made me think how the gun is separated in all of its different segments.”

Overton elaborated on the many aspects of the gun covered by his book: “its dead, its wounded, the suicidal, the killers, the criminals, the police, the military, civilians, hunters, traders, smugglers, lobbyists, manufacturers.” The relationship between gender and the cult of the gun is even explored in a chapter aptly titled ‘Sex Pistols.’

“Every single isolated group around the gun is seen through my eyes as part of a whole.”

Guns are the biggest killer in war – 90% of deaths during conflict are a result of guns. They are also the biggest killer in armed violence – 60% of all violent deaths are by the gun. In the USA, 20,000 people commit suicide every year with a gun. Although the National Rifle Association (NRA) claims that gun deaths in the US have fallen significantly, this is down to significant advancements in trauma care, largely developed as a result of the experiences of the military in Iraq and Afghanistan. What is not often taken into account is the colossal rise in the numbers of those wounded by guns annually.

The ubiquity of guns in some parts of the world and the resulting violence go largely unreported internationally, despite huge numbers of casualties. Central America is a particular case in point, as El Salvador, Honduras and Mexico witness huge levels of violence as a result of the ongoing US-led ‘war on drugs’.

Overton also pointed out that many Central American cartel members have their guns made to order north of the border in the United States.

Great night at the @frontlineclub w/ @iainoverton & @andrewfeinstein on people’s relationships people with guns – pic.twitter.com/f1UyB2iwwW”

— Jenny Marc (@JennyLMarc) April 22, 2015

In many instances of violence globally, the presence of a gun has become an assumption, rather than a newsworthy element of the story. “The gun has just become a background noise in violence.”

Overton went on to highlight the transformative power of the gun. There is a “very physical transformation that occurs in a man when he picks up a gun.” Being in possession of a gun emboldens people to the point of recklessness, he added.

“It transforms power, it transforms situations. And for the people who are in the midst of despair, it doesn’t take a lot to pick up a gun and end your life.”

“I don’t think the book is anti-gun,” concluded Overton, as the discussion drew to a close. “If someone has their life dictated by going out hunting at the weekend, they see the gun as purely a tool to take down a deer.”

We Were Rebels tells the story of Agel, a former child soldier who returns to South Sudan to help build his country. The film accompanies him over a period of two years – from South Sudan gaining its independence in 2011 to the renewed outbreak of civil war in December 2013.

As a child soldier, Agel was taught to kill and lost almost all of his male relatives to violence. Later he managed to flee via Kenya to Australia, where he became a professional basketball player and returned to South Sudan a free man. As the captain of the national basketball team, he coaches his fellow teammates through their very first international match against Uganda. The conflicts within the team bear a striking resemblance to the political problems festering across the country.

Directed by Katharina von Schroeder and Florian Schewe
Duration: 92′
Year: 2014