Mahboba, age 7, stands against a bullet-ridden wall waiting to be seen at a health clinic suffering from has a disfiguring skin disease called Leishmaniasis which is a parasitical bacterial infection transmitted from tiny sand fleas.

Interviewed by her friend and fellow reporter, the Sunday Times‘ roving foreign affairs correspondent Christina Lamb, Bronstein provided the audience an insight into daily life in Afghanistan. Spanning the 15 years since the 9/11 attacks in New York, the country her photos showed was harrowing; a baby suffering from severe malnutrition, women widowed by war, heroin addicts huddled around a mass of burning clothes.

’A lot of these stories are hard, none of them are easy, none of them,’ Bronstein shared, ‘but they’re stories I feel it’s very important to tell.’

But underneath the worsening terror of war, life in Afghanistan goes on. People get married, they celebrate Afghan new year, children play football; conflict has become part of daily life. ‘Kids are gonna be kids (…),’ Bronstein said, ‘they’re not going to stop practising cricket on a Friday afternoon’. Her photographs and words share this side of the country too. Her work is deeply human, capturing incredibly expressive faces, from the tortured loss of a mother watching her child die, to the toothless joy of an old man atop a hill overlooking Kabul.

Bronstein’s work in Afghanistan captures a country living at both extremes. When she first arrived in the country in 2001, the walls ‘were all bullet ridden’. But ‘the mountains are gorgeous, the landscape is exquisite,’ she remarked, ‘and so are the people’.

Her work focuses strongly on the experiences of women living in a still deeply conservative Afghanistan. As a female photographer she has been able to get much closer to their stories than her male counterparts, in many cases behind the burqa. All of the women’s stories she has documented, Bronstein said, has been about ‘getting access, getting inside of the home’. But, she noted that her work was still limited by the question of ‘what will the man allow me to do?’

Afghan women in burqas walk in front of the Darulaman Palace in Kabul, Afghanistan on February 3, 2002 on a breezy winter day. The palace lies in ruins, it once was the materpiece of Kabul built by King Amanullah.

But despite the more joyful moments captured in her work, both Bronstein and Lamb seemed despondent about Afghanistan’s future. With the Taliban resurgent, ISIS gaining a foothold, and a crumbling political process, they saw little to have hope in. Sharing the stories of colleagues and friends she had lost in recent years, Bronstein painted a picture of a country gripped by insecurity. And, as Christina Lamb pointed out, ‘The second biggest group of refugees after Syrians are Afghans – they’re not leaving the country because things are good in Afghanistan.’

On the publication of her new book Afghanistan: Between Hope and Fear, Paula Bronstein will join us in conversation with Christina Lamb to discuss her expansive work that intimately captures everyday life in Afghanistan against the backdrop of the 14-year US-led invasion and its enduring legacy.

Paula Bronstein is an American photojournalist and a multiple nominee and award-winner of international contests including The Pulitzer, Pictures of the Year International, and The National Press Photograher’s Association. Previously a senior staff photographer with Getty Images and for major US newspapers including The Hartford Courant and the Chicago Tribune, she is currently based in Bangkok, Thailand as a freelancer represented by Reportage by Getty Images.

Christina Lamb is the roving foreign affairs correspondent for The Sunday Times. She has been a foreign correspondent for more than twenty five years, living in Pakistan, Brazil and South Africa, first for the Financial Times then The Sunday Times. She is the author of The Africa House, House of Stone: The True Story of a Family Divided in War-torn Zimbabwe, Waiting For Allah: Pakistan’s Struggle for Democracy, The Sewing Circles of Herat, My Afghan Years and co-author of I Am Malala. Her new book Farewell Kabul: From Afghanistan to a More Dangerous World, is based on two decades of reporting from Afghanistan.

Photo: Paula Bronstein/Getty Images