Please join us for a screening of Oleg Sentsov’s award-winning film Gamer. The screening will be followed by a Q&A via Skype with Sentsov’s cousin, Natalia Kaplan, who remains his key supporter and has followed his every step throughout the trial.

The event will be attended by prominent UK cultural figures, including the Young Vic’s Artistic Director, David Lan; the Founding Director of Open City Documentary Festival, Michael Stewart; and the Deputy Chairman European Film Academy, Mike Downey. Additional guests will be announced soon.

Prior to the screening, Kolonist wine company will be kindly providing Ukrainian wine for all attendees. We invite you to help us raise awareness of Sentsov’s plight, and to raise funds for his young family. Sentsov is a single parent to two children who are now cared for by their aunt and grandmother. The family remain strong and resolute, but having lost the main breadwinner there is no doubt that they will need as much support as possible. The admission fee to this event is £25.00, all of which will be donated to Sentsov’s Fund. If you cannot attend the event but would like to donate, please click on this link for bank details.

Below is a message from Oleg’s lawyer, Dimitri Dintze:

We ask that you do not give up and continue to rally in support of Oleg. Approximately 70% of the money coming in from your European side had gone to legal fees (legal fees, numerous trips to Moscow to the Crimea, and, of course, to Rostov-on-Don, as well as things like notarised translations of documents), approximately 30% went to the family and kids.

And once again letters in prison are very important to Oleg – he has almost nothing to do and without letters can only stare at the coffee grindings, and imagine what happens outside. Do not forget to attach the envelope to the response. 344082, Rostov-na-Donu, p.o. box 2710, Sencovu Oleg Gennadyevichu, born 1976.

Thanks again for the support, everything you do is very important.

Details of Sentsov’s case:

In May 2014, Oleg Sentsov was accused of planning terrorist acts, then arrested and put on trial after attending a protest against the annexation of the Crimean Peninsula. In June of that year, a number of prominent European filmmakers, including Ken Loach, Agnieszka Holland, Pedro Almodóvar and Wim Wenders, signed an open letter to the Russian president, Vladimir Putin, calling for Sentsov’s release.

On 25 August 2015, the Russian Court convicted the filmmaker and his co-defendant, Alexander Kolchenko, following a trial which was described by Amnesty International as “redolent of Stalinist-era show trials.” Sentsov was sentenced to 20 years in prison, despite reports of the defendants being tortured and after the main witness retracted testimony given under duress.

The Russian penitentiary system can be brutal, and in some instances (such as the case of Sergei Magnitsky) lethal. It is therefore all the more important to ensure that Sentsov’s name remains in the headlines, to remind the Russian government that his case will not be ignored or forgotten.

Oleg Sentsov and his crew, courtesy of Natalia Kaplan

Photo credits: Sergey Pivovarov/Reuters; Yekaterina Chesnakova/RIA Novosti

This event will be held in partnership with

On Wednesday 19 June, the Frontline Club audience burst into spontaneous applause to the precision choreography of a Transnistrian military parade. The footage was part of the documentary film Fortress, shown at the preview screening of Open City Docs Fest, supported by the Czech Centre London as part of One World Echoes in London.

Capturing aspects of everyday life in the unrecognised Pridnestrovian Moldovian Republic, from televised propaganda to school graduation ceremonies, the film offered rare insight into the little-known world that is also known as Transnistria. Czech director Lukáš Kokeš explained what his film was about:

“It’s not only about human rights, and not only a travelogue about an exotic country. The main topic for us was the atmosphere of that place, and we called it Fortress because we think that in every country there is a kind of a fortress. It shows us that Transnistria, with its corruption and its absurd regime is not so far away as we thought. So I think sometimes we all live in a small fortress called Transnistria.”

Moderator and Founding Director of Open City Docs Fest Michael Stewart kicked off the Q&A:  “As young chap who wasn’t, I’m sure, familiar with the occupation of your country by the great Russian forces, how come you made this particular film?”

“The biggest motivation for us to go there and make a film was that we didn’t know about the existence of this territory, or country,” replied Kokeš. “Often the territory is described as a dangerous place where you should never go; so we wanted to explore it and fill this black gap on the European map. … We felt we were connected to the reality there, as it was similar to the communist past of our country.”

“There are speculations,” responded Kokeš, to a question on arms smuggling:

“They may have been sold in the 90s. The main income for the state comes from smuggling. They are smuggling food, cigarettes, alcohol, everything that comes from Ukraine goes through Transnistria. And there it gets lost. The son of Igor Smirnov, the [former] President, was the head of border control.”

“The fear of the people,” was the main obstacle the team faced in filming:

“This situation is similar to the Czechoslovakian reality during the 70s or 80s,” said Kokeš. “Because people fear they could lose their jobs, they don’t want to criticise the regime.”

He added, “It’s very interesting that nowadays:

“The secret service in Transnistria, at that time when we were shooting it was called MGB, which means Ministry of State Security; after the new President was elected – he was perceived as big hope, as a democratic force – he changed the name from MGB to KGB again.”

On internet access in the territory,  Kokeš observed, “there’s only one internet provider, controlled by the state”:

“The internet is there, you can surf, find everything you want, but you are being watched. Last month they started to block all the opposition sites, or the forums where people are discussing political issues. So it’s very easy for them to control.”

Asked about the potential resolution of the territorial conflict with Moldova, Kokeš replied:

“The propaganda is very, very strong. After 20 years they succeeded to make this brainwashed generation, because even the young people, they told us that Moldova is enemy territory to them. Officially there is still war between Moldova and Transnistria. Only they are not fighting. So Moldovans are enemies to them.”

To conclude, Kokeš described how the project changed his own perception:

“I was expecting a Soviet open-air museum. I expected only old cars, but suddenly there were pink Hummers. So I started to think things are more complicated. We started to ask people how could they describe the regime: is it socialist or democratic or dictatorship or something in between? And they said: it’s very complicated. It’s anarchy, it’s oligarchy, it’s democracy but with its own rules, it’s a complex problem.”

Fortress was presented as part of the One World Echoes in London series, supported by the Czech Centre London and in collaboration with One World Prague.

Upcoming films in the series are Black Out and Stone Games, both at Open City Docs Fest on Sunday 23 June.