Ladies and Gentlemen,

Tonight is, I know, a moment to celebrate the very best of our craft, to honour those whose work represent the standards and values that draw the admiration and respect not just of our peers but also the public, and that we can all point to in arguments about why our industry really is essential to a proper functioning democracy.

But this evening’s gathering also comes soon after the horrific executions of James Foley and Steven Sotloff by the Islamic State in Syria, and so before I talk about the awards, I’d like to take the opportunity to pay my respects to them and reflect on the state of journalism more broadly.

Both James and Steven paid the ultimate price for working in an industry increasingly reliant on brave, committed freelancers. They occupied a space where risk-averse news organisations are increasingly outsourcing coverage itself.

Of course the extremists who murdered them weren’t concerned about who they worked for. What mattered was that they were journalists, and that they were westerners. And in those respects, they represent a shocking example of a broader state of affairs faced by thousands of journalists around the world.

Rarely have so many of us been imprisoned, beaten up, intimidated or murdered in the course of our duties. In my cell in Masraa prison in Cairo, I don’t have access to the latest figures, but an editorial in The Times that I saw quotes the sums that Freedom House put together for last year. In 2013, 71 journalists were killed on the job. Eight hundred and twenty six were arrested, 2,160 were physically attacked and 87 were kidnapped. And those numbers don’t include the fixers who are often more exposed than us reporters who hire them, or the citizen journalists who are often the only sources of information in a place like Syria.

Heaven only knows what the numbers are like this year, with Syria, Iraq, Gaza and Ukraine helping to drive them north. As of May (2014? PG does not state the year) more than 60 reporters had died in Syria alone and more than 30 had been kidnapped. And that’s before the killing of James and Steven.

Globally, Freedom House says that press freedom is the worst it’s been in a decade. It reckons that 44 percent of the world’s population lives in places where the media is ranked as ‘not free’, while 42 percent are in regions where the media is said to be only ‘partly free’.

A few years ago Barrack Obama addressed a special joint sitting of Australia’s parliament, and in his typically grand, sweeping style, he declared that the ‘currents of history ebb and flow, but over time they move decisively in a single direction’ . History, he said, ‘is on the side of the free – free societies, free governments, free economies, free people’.

But if that is true, why are times so tough for those of us working at the sharp end of the fourth estate? After all, our industry is supposed to underpin that inexorable march towards liberty and democracy. I don’t know of any politician who openly declares that the world would be better off with a meek and compliant press, and yet the disturbing figures tell a very different story.

I may not have an academically researched hypothesis, but as you’ll appreciate, I’ve had a bit of free time to think about this. It seems to me that at least part of the problem is the changing nature of conflict itself, and it’s driven in particular by that atrociously named ‘war on terror’. And the name itself I think goes a long way towards explaining why we are in this situation.

Throughout most of the past four decades, wars have been dominated by struggles over tangible things like territory or resources or ethnicity. Even some of the conflicts over competing political ideologies such as Colombia’s civil war between leftist rebels and a right-wing government were, in truth, struggles for control of land.

Those of us who’ve covered that messy, complex conflict, or other local wars like the battle for resources in Eastern Congo or political and ethnic power in South Sudan will know that the biggest risk comes from random bits of flying metal or a drunk soldier at a checkpoint, rather than an attack aimed specifically at journalists. It’s risky of course. But the dangers are usually incidental, from working in an inherently violent environment rather than in a place particularly hostile to journalists.

Even in the early days of the Arab Spring, when I’d argue that the fighting was over one of the most valuable resources of all – political power – journalists were rarely directly attacked. And plenty of news organizations were able to place teams on both sides of the lines and cover the crises with a degree of balance and neutrality.

Of course propaganda is as old as war itself, and warring factions have always sought to control the narrative of a conflict. But in these wars over stuff, the target has generally been the message rather than the messenger.

But this brings me back to the War on Terror – a conflict that by its very nature is indefinable, with no clear physical or ideological boundaries; and with a title that means everything and nothing. Or rather, it means whatever any of the groups involved want it to mean.

This is, in a way that we’ve rarely seen in the past, a struggle over ideas and ideologies. It’s a battle between competing world views much more than a fight for land or minerals. And in this struggle, the message is as much a weapon as any gun. Witness the way Islamic State has used YouTube to recruit its supporters and terrify its opponents.

The trouble for us journalists is that there is no neutral turf, no safe ground from which to report. As much as we abhore and condemn the executions of James and Steven, it was George Bush who set the ground rules in the wake of 9/11 when he declared that you’re either with us or with the terrorists. That single statement made it impossible for reporters to hold to the principles of balance and fairness without being accused of acting as an agent for the enemy.

Al Jazeera learned that to its cost when the US hit its offices in Baghdad during the invasion to oust Saddam. And in Afghanistan one of its camermen, Sami al Haj, was arrested. He spent seven years in Guantanamo Bay before being released without charge.

Since the War on Terror began, all manner of abuse of journalists and attacks on human rights and press freedoms have been excused as necessary evils, and by governments across the globe. It almost feels like a kind of globalised McCarthyism, where simply invoking terrorism is enough, in some cases, to get away with murder.

I do not mean to minimize the risks of terrorism, or blame governments alone. The Islamic State’s executions are simply the latest and most shocking examples of the problem on the other side of the ledger.

The roll call of victims is sobering indeed. From my old friend Maria Gracia Cutuli, an Italian magazine writer and the group of freelance and agency journalists she was travelling with, who were among the first to be murdered by the Taliban in Afghanistan after 9/11, to the Wall Street Journal reporter Daniel Pearl; to the BBC’s Simon Cumbers gunned down in Saudi Arabia and Frank Gardiner who survived the attack, to another BBC friend and colleague Kate Peyton killed in a drive-by shooting in Mogadishu; and the Channel 4 News cameraman Martin Adler who died there the following year; and on to the latest victims. These are just some of the more high profile casualties of the conflict, and in this relatively small community I’m willing to bet that only a handful of people here tonight have more than one or two degrees of separation between themselves and someone who’s been killed, wounded or imprisoned. We all know someone, or know someone who knew one of them.

My point is that in all of these battlegrounds, whether hot or cold, journalists are no longer on the front lines. We are the front lines. In this wider conflict, there is no such thing as a neutral, independent reporter. In the view of both sides, if you cross the lines in pursuit of our most fundamental principles of balance, fairness and accuracy, you effectively join the enemy.

The compelling world views seem so widely divergent that to even try to understand the other side is to commit what many governments now consider to be treason.

So, where does this leave the future? Well, I don’t think it’s hopeless. At a personal level, our incarceration in Egypt – myself and my two Al Jazera colleagues Mohammed Fahmy and Baher Mohamed – and more crucially the Foley and Sotloff murders have dramatically reminded people why a free and untramelled press is so important. People might not always like everything they see in the media, but they recognize the intrinsic value of ethical, professional reporting and instinctively balk at anything that limits it.

I’ve been staggered by the incredible number of people who’ve supported our cause, not so much because they see an injustice, but because they see an attack on press freedom.

In one of the letters that made it through the prison gates, one woman wrote to gleefully remind me of those surveys we see often that rank journalists somewhere between used car salesmen and abattoir workers in terms of social status. But then she went on to write ‘I also know that fearless and frank journalism as practised by true professionals is what keeps our treasured democracy so strong’.

The key phrase here is ‘true professionals’. People recognize shabby, partisan journalism when they see it, but at times of crisis, they still turn on the news or go to the websites of their most trusted news organization.

The hunger for reliable news and the recognition of the role it plays in a healthy, functioning democracy is still there, but we can’t take public support for granted. Thats why I’m convinced that our best strategy as an industry starts with a rock solid commitment to our core ethical and professional standards. The more sloppy we get, the more we degrade public support for our business, the more excuses we give to governments to limit and control what we do.

This is far more than an abstract idea. This is very much about our own security as individual journalists.

Take our case as an example. I am incredibly proud and humbled by the extraordinary wave of support that we’ve been getting from around the world – from human rights groups, from politicans and diplomats but also, crucially, from a huge chunk of the public as well.

As I said, much of that has been in response to the principles they’ve seen violated, but I am also convinced that if any of us had stained professional reputations, our accusers would have hailed it from the roof tops, and our support would have crumbled to dust. Our political champions would have walked away and we’d be seen as victims of our own shabby standards.

We are still in prison of course, but I am still certain that if and when we are finally released, that gloal support, will be what ultimately saves us.

There is also one other source of backing that I want to spend a few moments on, that has been both crucial and I suspect somewhat unprecedented.

Even at the very best of times, we journalists are a fractious lot. We are argumentative, skeptical and fiercely competitive. I suppose those are the qualities that drew most of us into this business in the first place but they are also traits that make us notoriously hard to organise. And yet . . . it feels as though our entire community has set aside its instincts and swung behind us in a solid, unified block.

We’ve seen letters co-signed by fierce rivals, the zip-lips campaign which has seen our colleagues from around the world post selfies with their mouths taped shut including, I’m sure, more than a few people in this room. There have been persistent questions in news conferences, notes of support to us in prison and of protests to the authorities. In short, there has been a unity of purpose that not only inspires and strengthens us, but I believe sends a powerful message to any politican considering a clamp down on the press.

Taken together this outpouring of political and public support has helped reignite a crucial debate about the relationship between governments and the media; or more correctly, between a free press and a free society.

Whether people are aware of it or not, I’d like to think that most would agree with Albert Camus who said that, “A free press can, of course, be good or bad, but, most certainly without freedom, the press will never be anything but bad.”

Ladies and Gentlemen, I’ve not had an opportunity to see any of the entries for tonight’s awards, but I know that to have made the short list, the work you will see will, by any definition, be amongst the best independent journalists can deliver. I know without seeing it, that it will be courageous, revealing and inspired. I also know that it will be the kind of work that reminds our readers and audiences why a free press really does matter.

Thank you.

This speech was put together by Peter Greste’s family after speaking with him over a number of fortnightly prison visits.

Winners will be announced at the awards ceremony at the Frontline Club on Thursday 24 October. The evening will be hosted by Jon Snow from Channel 4 News and is supported by Vodafone, Canon and Chivas Regal. Alongside the presentation of shortlisted and winning pieces, the evening will also feature an exclusive video message from The Guardian‘s Glenn Greenwald and a keynote speech from the former editor of The Sunday Times Harold Evans.

Laurent van der Stockt / Getty

Photojournalism

Samuel James for his work in the Niger Delta. Travelling for two months using a small paddle boat, he has documented the illegal oil refinery process and the residents of the delta that it affects.

Anonymous for their images documenting an execution within Syria. Witness to four public executions on a single day, the photographer remains anonymous to prevent repercussions on their return.

Ali Ali for documenting daily life in the Gaza Strip. A photographer for the EPA agency since the age of 17, his images show the human side of the conflict.

Tyler Hicks for his coverage of the Westgate Mall attacks in Nairobi, Kenya. He was visiting a shop nearby when the attack began, and was able to photograph events as they unfolded throughout the day.

Laurent Van Der Stockt for his work documenting the use of nerve agents during two months spent with the rebels fighting street to street in the Damascus suburbs. (Also in video form for Le Monde)

Alvaro Ybarra Zavala for his reportage from Argentina, Stories of a Wounded Land. He documents the consequences of agribusiness on public health, the environment, human rights, politics and the future of humanity.

Print

François-Xavier Trégan for his piece – US drone strikes in Yemen cast a long shadow over life on the ground -covering how unmanned aircraft create refugees and resentment among civilians as remote provinces become a battleground in the “war on terror”. (Le Monde, english translation published in The Guardian)

Patrick Kingsley for his in depth investigation – Killing in Cairo: the full story of the Republican Guards’ club shootings. (The Guardian)

Martin Chulov for his multimedia investigation into a massacre in Aleppo – Syria: the story behind one of the most shocking images of the war. (The Guardian)

Molly Crabapple for her unique combination of artwork and reporting on Guantanamo Bay – It don’t GITMO better than this: inside the dark heart of Guantanamo Bay. (VICE)

Carsten Stormer for his reportage from Syria – Dodging shells with the Syrian Rebels who love football and Adolf Hitler. (VICE)

Broadcast

Olly Lambert for his unique and harrowing portrayal of life on both sides of the fight in Syria. (Channel 4)

Bill Neely, Dave Harman and Tony Hemmings for Damascus: Gauntlet of Gunfire. (ITV News)

Sasha Joelle Achilli, Bilal Abdul Kareem and Inigo Gilmore for their portrait of Britons fighting with Syria’s Jihadi “Band of Brothers“. (Channel 4 News).

Marcel Mettelsiefen for The Agony of Aleppo’s Children (Channel 4 News). Produced by Teresa Smith and Agnieska Liggett.

Ben Anderson for his piece for both Panorama and Vice on the drawdown of operations in Helmand Province, Afghanistan – This is what winning looks like and Mission Accomplished: Secrets of Helmand. (BBC News / VICE)

Darren Conway and Ian Pannell for Syria Crisis: incendiary bomb victims ‘like the walking dead‘. (BBC News)

Aris Roussinos for his piece Ground Zero: Mali. (VICE)

The Frontline Club Awards for excellence in journalism were presented at the Frontline Club in London last night. Judged by seasoned journalism practitioners, the Presenter of the Awards, Channel 4 News’ Jon Snow, described the Frontline Club Awards as “given by the best, to the best”.

The winners of the Frontline Club Awards 2012 in four categories are as follows:

The Frontline Club Awards are presented annually in recognition of the most outstanding journalism seen over a one year period. They aim to reward independence of spirit, courage and the highest standards in journalism. The shortlist for the Awards can be viewed here.

For the first time the Frontline Club Awards have been expanded into four categories:

Print | Broadcast | Photojournalism | Tribute

The Frontline Club Awards will be presented by Jon Snow at the Frontline Club at a fundraising event. The Awards are sponsored by Vodafone with prizes provided by Canon and proceeds from ticket sales will go to the Frontline Club Charitable Trust to help sustain its activities.

A Prize Draw will also take place in aid of the Fixers’ Fund, including prizes from Monocle, ITN, Photofusion, QI, Vodafone and KK Outlet, prints donated by the photographers of VII, £500 credit on imaging services at Metro Imaging and £500 of credit to spend at onefinestay.

Book a dining or non-dining ticket via the Charity Giving website here. Your donation will go directly to the Frontline Club Charitable Trust to support its work.

Dress code: Lounge suits and cocktail dresses.

Tickets for the Prize Draw will be available to purchase on the night for £15 each, or one per person can be bought online when making a booking to attend the awards. Good luck!

Thanks to:

The shortlist for the Frontline Club Awards has been selected from nominations put forward by Frontline Club members, which included some excellent work from the past year in three categories: Broadcast, Photojournalism and Print. Five nominees, not listed here, are also being considered for the Frontline Club Tribute Award for their contribution to journalism and lifetime achievements.

The shortlist for the Frontline Club Awards is as follows:

Broadcast:

Colombia: caught in the crossfire by Romeo Langlois for France 24

The horror in Homs by “Mani” for Channel 4 News

Homs: Journey into Hell by Fred Scott and Paul Wood for BBC Panorama

Photojournalism:

The Price of Gold by Robin Hammond

Afghanistan: moment Private Stephen Bainbridge stepped on an IED by Jason P. Howe in The Telegraph

18 days with Syrian Rebels by Goran Tomasevic for Reuters

Print:

Inside Syria: rebels and regime trapped in a cycle of destruction by Ghaith Abdul-Ahad in The Guardian

Computer files link TV dirty tricks to favourite for Mexico presidency by Jo Tuckman in The Guardian

Final dispatch from Homs, the battered city by Marie Colvin in The Sunday Times

The Frontline Club Awards for excellence in journalism aim to recognise journalistic integrity, courage and independence of spirit, and include the work of freelances. Now that the final shortlist has been decided, the judges for the Frontline Club Awards have a difficult task ahead of them. The panel of judges includes:

Jon Lee Anderson, Jeremy Bowen, Patrick Cockburn, Carlotta Gall, Gary Knight, Allan Little, Seamus Murphy and Vaughan Smith.

The Frontline Club Awards will be presented by Jon Snow at the Frontline Club on 25th October. More information on how to book to attend the Awards can be found here.

The Frontline Club Awards 2012 are sponsored by Vodafone and Canon. 

The Frontline Club Awards for excellence in journalism aim to recognise recognise journalistic integrity, courage and independence of spirit, and include the work of freelances.