In a Kenyan town bordering wildlife conservation land, two men try to hold onto their increasingly fragile status quo. A small-time ivory dealer fights to stay on top while forces mobilise to destroy his trade. When he turns to his younger cousin, a conflicted wildlife ranger who hasn’t been paid in months, they both see a possible lifeline.

The plummeting elephant population in Africa has captured the attention of the world. And as the government cracks down, the poachers face their own existential crisis. For them, conservationists are not only winning their campaign to value elephant life over its ivory, but over human life as well. Who are these hunters who will risk death, arrest and the moral outrage of the world to provide for their families?

Director Jon Kasbe followed the film’s subjects over a three-year period, gaining an extraordinary level of access and trust as he became part of their everyday lives. The result is a rare and visually arresting look through the perspectives and motives of the people at the epicentre of the conservation divide.

Run Time: 79 mins

Director and Producer: Jon Kasbe

Chair

Nick Clark is a broadcast journalist and writer specialising in environmental coverage. His latest work features an acclaimed documentary for Al Jazeera English on the remote Weddell Sea in Antarctica called ‘Antarctic Ocean Sanctuary’. In 2014 Nick completed a prestigious Fellowship at MIT and Harvard studying the impacts of climate change on terrestrial and marine eco-systems. Nick’s reported on the disappearance of the world’s tropical glaciers in the Andes and the devastation caused by illegal logging in Amazonia. He’s also focused on issues as diverse as efforts to save the Siberian Tiger in the forests of the Russian Far East, the shark fin trade from Hong Kong to the Middle East, the conflict between wolf and man in remote parts of Finland and the plight of gorillas in Uganda. Nick has travelled to the Arctic regions several times – most recently in August this year, to report for Al Jazeera English on the threat of a collapsing iceberg looming over an isolated village in northern Greenland. Nick’s won a Royal Television Society award for directing  & presenting a six part series on the River Thames. He’s also reported general news, taking in stints in Afghanistan, Libya – as Gadaffi’s regime fell – as well as many African assignments.

Speakers

Born to an Australian mother and an Indian father, Jon Kasbe spent most of his childhood traveling extensively. Growing up in this environment instilled in him a deep curiosity and desire to explore the world. He soon found documentary filmmaking to be a way to immerse himself in his travels and share discoveries with others. At age 10, he bought his first camera in order to interview children in war-torn Serbia, where his parents were volunteering. Now, at 27, his short films have screened around the world, garnering an Emmy Award, two Emmy nominations, and recognition from the Webbys, SXSW, Hot Docs, Vimeo Staff Picks, and The White House News Photographers Association. WHEN LAMBS BECOME LIONS, which he filmed, directed and produced, is his feature-length film debut.

Kaddu Sebunya is president of the African Wildlife Foundation. He began his career serving as a project manager with WaterAid and as a relief program officer with Oxfam UK. Beginning with his post as the Associate Director for the United States Peace Corps in Uganda, Sebunya’s career began to focus more on conservation. He later served as a country program coordinator with the World Conservation Union—now the International Union for Conservation of Nature, or IUCN—and as a senior policy and planning advisor for Conservation International.

How to Change the World chronicles the adventures of an eclectic group of young pioneers – Canadian hippie journalists, photographers, musicians, scientists, and American draft dodgers – who set out to stop Richard Nixon’s atomic bomb tests in Amchitka, Alaska, and end up creating the worldwide green movement.

Greenpeace was founded on tight knit, passionate friendships forged in Vancouver in the early 1970s. Together they pioneered a template for environmental activism which mixed daring iconic feats and engagement with worldwide media: placing small rubber inflatables between harpooners and whales; blocking ice-breaking sealing ships with their bodies; spraying the pelts of baby seals with dye to make them valueless in the fur market.

The group had a prescient understanding of the power of media, knowing that the advent of global mass communications meant that the image had become a more effective tool for change than the strike or the demonstration. But by the summer of 1977, Greenpeace Vancouver was suing Greenpeace San Francisco and the organisation had become a victim of its own anarchic roots, saddled with large debts and frequent in-fighting.

How To Change The World draws on interviews with the key players and hitherto unseen archive footage, which brings these extraordinary characters and their intense, sometimes eccentric and often dangerous world alive.

Directed by: Jerry Rothwell
Produced by: Al Morrow & Bous de Jong
Year: 2015
Running time: 110′

“They are like my family.”

“They’re just fucking monkeys.”

On Thursday 15 May 2014, the Frontline Club screened Virunga, a masterful documentary that portrays both the highest of human empathy, and lowest of murderous greed in eastern DR Congo.

Present for the Q&A were director Orlando von Einsiedel, producer Joanna Natasegara and investigative journalist Melanie Gouby, who is featured in the film.

From left: Melanie Gouby, Joanna Natasegara, Orlando von Einsiedel. Photo credit: George Symonds

The audience voiced rave reviews:

“It is a beautiful film, and the stars are the gorillas”
“Brilliant film, really engaging”
“Amazing and powerful”
“Incredible film”

Director von Einsiedel began with how the two year project started:

“I’ve been interested in trying to tell a positive, different story from eastern Congo. One that wasn’t all about the many negative things that we mostly hear about the place.

 

“Between 2008 and 2012, there’d been a period of relative stability, and I learned about the really inspiring work of the rangers of Virunga National Park. In their story I saw a metaphor for the wider rebirth of the region.

 

“That the park was implementing various different development projects, tourism was starting to grow again . . . I’d only been on the ground maybe three weeks and this new civil war started.

 

“Around the same sort of time I learned about the park’s concerns about the illegal oil exploration by SOCO International. I ended up staying because I was enthralled about the rangers and their work.”

Orlando von Einsiedel, Director

Two representatives of SOCO International were allegedly present at the screening. The company had issued a PR statement in response to what it “believes to be groundless allegations” recorded in the film.

An audience member from BBC Panorama asked how the filmmakers responded to SOCO’s comments.

“It’s quite simple,” replied von Einsiedel:

“We wouldn’t be sitting up here if we didn’t stand by the journalism and the work that we’ve done.

 

“In terms of SOCO International, what they’re doing in Virunga National Park is illegal. . . . It’s illegal under Congolese national law, it’s illegal under international law, and on top of that, over the years we were there, we have serious concerns about a lack of oversight that this company has. To do with corruption and links to armed groups.”

Excellent night at the @frontlineclub– a sneak preview of the brave @virungamovie and Q&A w/ @jojonata & team pic.twitter.com/foIhGyRATh

— Kate Hardie-Buckley (@katehbuckley) May 15, 2014

Natasegara elaborated on SOCO’s legal position:

“There’s no suggestion that there’s any oil under Virunga National Park. That’s the first misnomer that SOCO International put out. There is no proof that there’s any oil under this world heritage site. . . . What they are doing is illegal, as Orlando said.

 

“What they failed to recognise is that it’s illegal at the highest level of law. It’s enshrined in the constitution that a world heritage site cannot be exploited in this way for oil exploration, ever. So all the permits they would like to suggest they have are all null and void. . . .

 

“So in terms of whether we have oil or not, what we have is a bird in the hand, and a bird that we don’t know exists. The bird in the hand is Virunga National Park, a world heritage site which is there for all of us; and is in fact building a £150 million development programme which is genuinely helping the local communities . . . .”

Jonna Natasegara, Producer

“What power do we have to act against these groups, these immoral positions?” asked a member of the audience.

“There’s a moral position and there’s a legal position,” posited Natasegara:

“SOCO International is a British company, so talk to your decision makers. . . . Talk to your own authorities, let them know how they feel about this issue. In terms of stages we have spent quite a long time building a campaign that goes alongside the film. You can follow that campaign on our official media and on our website.”

Gouby responded to a suggestion that if not SOCO, someone else would do the same thing:

“Total, the French oil company, has a similar concession north of the park, and they’ve promised they would not go into the park. So there is no evidence that any other company would do the same thing.”

Melanie Gouby, Journalist

“I thought the real heroes were the rangers,” said a member of the audience:

“I thought the contrast between the virulent racism of SOCO’s representatives against the brave and eloquent way the rangers spoke was extraordinary. I noticed that in SOCO’s rebuttal, they said nothing about the racism that was shown, that they should re-colonise the Congo.”

Another audience member offered SOCO the floor:

“If someone from SOCO is here who thinks we’ve been given the wrong impression, is there someone who’d like to correct that impression for us now?”

There was no one to respond.

Feel lucky to have seen such a powerful film & piece of journalism @virungamovie about @gorillacd at @frontlineclub #DRC #film #conservation

— Charlotte Minvielle (@Cha_Minvielle) May 15, 2014

The audience was full of praise for those involved in the protection of Virunga National Park and the local communities:

“How extraordinary the courage of everybody involved with film, particularly the Congolese, comes across in the film. And the amount of personal danger people put themselves into to bring across this message, and to congratulate and thank you for doing that.”

Asked about organisations that support the rangers, Natasegara said:

“You can donate directly to the park. The website is www.virunga.org/donate.

 

 

“They have a specific fund for the widows of those rangers. You can contribute directly to their livelihood. That would be a great thing to do.”

Went to the @frontlineclub this evening to see a preview of @virungamovie about @gorillacd such an incredible and inspiring documentary

— Elisabeth Phillips (@elisabeth_CiC) May 15, 2014

Von Einsiedel concluded with the optimism he had witnessed:

“There’s amazing optimism on the ground . . . that this place can be better, and the potential it has – that’s the reason the rangers of the park are out there every day, risking their lives. Because of that hope. Of what they believe the Virunga can do to the region.”

“It’s not going to Margate,” warned von Einsiedel as he encouraged everyone to visit the gorillas:

“The security situation has improved dramatically. So much so that gorilla tourism is open again. So you can all go and visit the gorillas, and you’d all be doing a massively good thing because that’s putting money into the local economy. I’d say go. It’s not going to Margate [laughs] but it’s safe enough to do it.”

For more information on future screenings, and how you can get involved:

Visit. virungamovie.com
Follow. @virungamovie
Like. facebook.com/virungamovie
Donate. virunga.org/donate