As the country sinks into an increasingly repressive regime under the helm of current President Abdulla Yameen – and strengthens ties with China and Saudi Arabia – we will be joined by exiled former president Mohamed Nasheed, journalist and author of The Maldives: Islamic Republic, Tropical Autocracy JJ Robinson, and others, to discuss the current situation in this small yet turbulent archipelago.

With at least 100 Maldivian jihadists now fighting in Syria and Iraq, a significant share of the country’s modest population, we will also discuss the increasing role of Islamism – as well as the implications for the wider South Asia region. We will explore hopes for the future and the role of an increasingly-repressed media in supporting an eventual transition to democracy – all as the impending threat of climate change on the low-lying islands continues to loom large.

This event will be chaired by BBC News South Asia editor Charles Haviland.

Mohamed Nasheed is a politician, environmental and human rights activist, and served as the fourth, and first democratically-elected, President of the Maldives from 2008 until 2012. In 2010, Newsweek included President Nasheed in its list of the ‘World’s Ten Best Leaders’, and he is frequently dubbed the ‘Mandela of the Maldives’. Nasheed is the recipient of numerous international awards, including the Anna Lindh Prize in recognition of his work promoting human rights, democracy and environmental protection, and the James Lawson Award for the practice of non-violent action.

JJ Robinson is a journalist and author of The Maldives: Islamic Republic, Tropical Autocracy. He spent four years working as an editor of the Maldives’ first independent English-language news outlet, and was among the only foreign witnesses to the 2012 coup d’état that toppled Nasheed‘s government. He was the Maldives’ Reuters correspondent and its Reporters Without Borders representative, and has appeared on the BBC, Radio Australia, Al Jazeera and other outlets as a Maldives expert.

Abbas Faiz is an independent South Asia specialist focusing on a number of countries including the Maldives. Until early 2016, he worked as a senior researcher with Amnesty International. He has travelled widely within the region and has authored scores of reports, press releases and policy documents during his 30-year working time with Amnesty, covering human rights concerns in almost all countries of South Asia including Afghanistan, Pakistan, Bangladesh and the Maldives. He has given in-depth interviews on human rights issues to a range of media, including Al Jazeera, ABC, CNN and the BBC, and has written for the Guardian, New Statesman and the Lancet amongst others. He has closely monitored the human rights situation in the Maldives over the past 20 years, and has provided strong support during this period to the country’s ongoing movement for democracy and human rights protection.

L-r: Jonathan Freedland, Norma Percy, Paul Mitchell. Photo: Tolly Robinson

The first of the four-part series looks at the initial two years of Obama’s administration, during which he passed the largest stimulus in American history; pledged – ultimately unsuccessfully – to close Guantanamo Bay; bailed out Michigan’s automotive industry; and crashed a meeting at the 2009 Copenhagen climate change summit to secure a deal between the United States and China.

The documentary, which took three years to make, is comprised of interviews with key figures within the administration, as well as previously unseen archive footage from the White House.

Jonathan Freedland. Photo: Tolly Robinson

Chair Jonathan Freedland asked if the structure of the documentary – focusing on a few, defining points of the administration – risked dramatising rather than documenting Obama’s years in the White House, creating a ‘West Wing’ narrative of events at the cost of accuracy.

In fact, Percy said, what surprised her most about making the documentary was “how much real politics is like the West Wing.” She added that Gene Spurling, who is interviewed in the first programme, was a consultant to The West Wing.

Norma Percy. Photo: Tolly Robinson

“What we try and do is show what it’s like inside the room when the big decisions are made. So what were the big decisions? What were the key meetings?” Percy said.

“Sometimes, trivial stories can be much more revealing than big ones,” she said. Obama dressing down Treasury Secretary Tim Geithner after a shambolic press conference, for example, or one economic adviser failing to invite a rival adviser to a crucial meeting – both of which feature in the first episode.

Mitchell said that the programme was not considered dramatic by the BBC when it was pitched. “If you think that getting three economic stories in a row in an hour of BBC primetime TV is considered dramatic – well, you have no idea what that was like. They weren’t keen at all [initially].”

“There’s absolutely no way in two hours that you can do an encyclopedia. What you really want to do is three or four stories, and do them really well. You want to pick the right ones – the ones which are consequential,” Mitchell said.

Paul Mitchell. Photo: Tolly Robinson.

Nearing the end of his presidency, Obama is now beginning to address that question of consequence, and legacy. This is reflected by the fact that the production team were able to secure an interview with the President through a newly appointed “legacy team” of press officers.

“Obama’s legacy will only continue to grow,” Percy said. “He did some amazing things: bringing healthcare to the American people, opening up relations with Cuba, and Iran [the US deal which ensured Iran would not obtain nuclear weapons].”

Mitchell added that determining Obama’s legacy would be a long-term project. “He set out to transform America, to move it in a progressive way. I think part of his legacy is going to be the degree to which he’s done that. It’s going to take a long, long time to understand where he succeeded and where he failed.”

The next episode of Inside Obama’s White House will be broadcast on Tuesday 22 March 2016 at 9PM on BBC2.

The future of water isn’t a simple topic – it is vast and can often be overwhelming. During the discussion we will explore how this topic can be made accessible through the power of storytelling and film.

We will premiere four short documentaries which were produced as part of the global sH2Orts film competition, organised by WaterAid in partnership with the Public Media Alliance’s WorldView project. Each film offers a unique insight into the global water crisis and urges us to think about how we can respond to it.

The discussion which follows will focus on climate change, innovation, urbanisation and inequality – and how they relate to the global water crisis.

Panelists

Mark Galloway, Director of International Broadcasting Trust (Moderator)

Before joining IBT, Mark worked as a journalist, current affairs producer and documentary filmmaker. He’s been a Channel 4 Commissioning Editor, responsible for Education and Features, and has made films for ITV, Channel 4, the BBC, Discovery and Al Jazeera, winning more than a dozen national and international awards including a Gold Medal at the New York Film Festival, a Peabody Award and a BAFTA. At IBT, Mark is responsible for the day to day running of the organization, overall strategy, research and relations with IBT’s members.

Alok Jha is a journalist, broadcaster and author of The Water Book. He is the science correspondent at ITV News. Before that, he spent a decade at the Guardian and made programmes for the BBC.

Bethlehem Mengistu has over 12 years experience in the development sector, with special focus on gender equality, human rights, good governance and provision of basic services. She has worked within senior roles for organizations such as WaterAid, Care International, Action Aid and notable grassroots women’s organizations in East Africa. Bethlehem has solid experience in programme management, strategic campaigning and advocacy and policy analysis. Her educational background is in Law and Sociology and is currently working at WaterAid as Regional Advocacy Manager for East Africa and Acting Country Representative for WaterAid in Ethiopia.

Menka Sanghvi is an innovation researcher and facilitator focusing on global health and wellbeing. At the Humanitarian Innovation Fund she leads a dedicated fund to improve water, sanitation and hygiene conditions for vulnerable communities. In her role she supports a wide range of project teams in building ideas, testing them out, and scaling to achieve better impact. Menka brings over a decade of experience in delivering innovation projects with organisations such as Oxfam, Unilever, Barclays Bank, Impact Hub, and with local communities. She serves as a mentor for the Global Sustainability Jam, and a judge for the UNDP Equator Prize.

Sarah Mosses is CEO of Together Films, a new consultancy working with social issue film content to reach new audiences. She helps filmmakers craft Impact Distribution Campaigns to increase both their social impact, audience reach and revenue potential. As an award winning Producer, Sarah’s debut feature documentary They Will Have To Kill Us First had its World Premiere at SXSW 2015 and European Premiere at London Film Festival 2015. Sarah is a mentor for Documentary Campus, Eso Doc, Sheffield DocFest, On Screen Manitoba, working with emerging producers to enhance their film narrative and distribution/marketing potential.

Film lineup:

PLACE OF SWEET WATERS
Directed by: Sven Harding
2015/South Africa
www.svenharding.com

Place of Sweet Waters will take us to the underground tunnels which run beneath the city of Cape Town, transporting millions of litres of water from Table Mountain directly into the sea. As South Africa grapples with its worst drought in more than 30 years, the film raises questions about why this urban water source is being ‘wasted’.

BLANKETED SNOWS
Directed by: Vardan Hovhannisyan
2015/Armenia
caucadoconline.com/projects/author/25

Filmed in a stunning mountain region of Armenia, Blanketed Snows will encourage the panel to think about how climate change affects water supplies and livelihoods, and how the two are inextricably linked.

AUTOMATIC TUBIG MACHINE
Directed by: Giselle Santos
2015/Philippines
twitter.com/sampunglitro

Automatic Tubig Machine is a fly-on-the-wall documentary about remote communities in the Philippines who are using an innovative water supply technology. During this observational film we are offered a unique and fascinating insight into how children and adults gain access to this vital resource.

THE HOIST
Directed by: Ibrahim S Kamara
2015/Sierra Leone
http://www.wateraid.org/film-competition/sh2orts2016/winners

Set in Sierra Leone, The Hoist looks at the ingenuity of a local young woman who wants to simplify the time-consuming and physical task of collecting water. The film raises questions about the role new technology and innovation can play in the face of the global water crisis.

On Tuesday 10 November the Frontline Club hosted a preview screening of Julia Dahr’s Kisilu: The Climate Diaries, ahead of the film’s December screening at the UN climate change conference in Paris. The screening was followed by a discussion with the film’s producer, Hugh Hartford.

The documentary, produced for Al Jazeera, focuses on the eponymous farmer from southeast Kenya and his first hand experiences of the effects of climate change, as he captures much of the footage himself.

Kisilu Musya shows us how his house is destroyed by savage winds and how his crops are first parched and then flooded. In Musya’s words, the extremes that climate change brings mean “everything is being contradicted.”

Throughout the filming period, Musya helped both himself and his community by beginning a village-wide movement to improve the quality of the soil by planting trees.

Yet the documentary is not solely focused on the environment. Hartford said: “If we made it too much about the trees, it would take over the story.” As the film progressed “the trees got surpassed by his relationship with his wife,” said Hartford. “It’s much more of a personal story.”

The producer was clear about the fact that the film provides no grand solutions to the environment crises.  Instead, in the film, “what we’re witnessing is a person becoming a leader,” said Hartford.

The film begins not with a description of the global problem, but with a depiction of Musya’s family life and the nine children he supports.

One audience member said that they felt the introduction of the subject of climate change was sudden, to which Hartford replied: “Delaying the mention of climate change is actually deliberate.”

He underlined the idea that although the film is about Kenya’s environmental problems, Kisilu’s life and personality formed the central narrative.

Great film tonight @frontlineclub by @JuliaDahr about #Kisilu – fighting #climatechange in #Kenya. Catch it on @AJWitness 7 December.

— Louise Orton (@louloulorton) November 10, 2015

Another audience member congratulated Dahr’s distinct approach to such a large problem that is difficult to understand. He said she was the only director who had the “creativity to get out of the non-government organisation straightjacket, as it were, and do bigger films.”

Hartford concurred, and commented on the fact that the film’s special quality comes in part from the fact that the viewer cannot always tell who is behind the camera.

Although Kisilu is a useful tool for climate change activists, “we’re not making a campaign film,” he said.

Another audience member raised the question of how foreign filmmakers manage to tell the Kenyan story without being personally involved, Hartford replied that there was “an interesting dynamic between the crew and the family,” but that was “never a reason not to do something.” The relationships between crew and Musya would endure, Hartford said.

This sentiment of collaboration is expressed in the film. As Musya filmed insects working in teams, he contemplated human inaction in the face of climate devastation. Musya said that insects, “have power in coming together… I wonder why human beings are not doing it.”

Meet Kisilu Musya, a Kenyan farmer and father of eight children, living at the front line of our changing climate. Through Kisilu’s poignant video diary and director Julia Dahr’s observational footage, we follow Kisilu and the Musya family through their day-to-day life over three years. We experience their struggle against the extreme storms and increasing droughts that threaten to destroy their home and ruin the crops that provide their food.

This personalised narrative documents a grassroots environmental awareness movement, as Kisilu determines to inform his community of tactics to help prepare their homes and crops for extreme weather.

Kisilu is an intimate portrait of a tightly knit family and one innovative and impassioned man battling the impacts of climate change to create a better future for his local community.

Kisilu: The Climate Diaries was awarded the Student Award at the 2015 One World Media Awards and will be broadcast on Al Jazeera Witness on 2 December 2015.

Director: Julia Dahr
Production Company: Banyak Films
Producer: Hugh Hartford
Runtime: 60′
Year: 2015
Country: Norway

On Tuesday 21 April, the Frontline Club hosted a panel to discuss the water crisis in Brazil and the world’s largest green area, the Amazonian rainforest. Chaired by Andrew Mitchell, chairman of the Scientific Exploration Society, the event was the second in a series entitled ‘Exploration of the Frontline,’ a collaboration between the Scientific Exploration Society and the Frontline Club that aims at bringing together journalists, explorers and academics for an evening of informed debate.

l-r: Andrew Mitchell , Sue Cunningham, Nixiwaka Yawanawa, Peter Bunyard, Dr Friederike Otto, Rogerio Simoes

“In Sao Paulo you have a city of 22 million people facing chronic droughts, a situation unique in the history of Brazil,” Mitchell said. This drought is largely the result of wide-scale deforestation, and of changes to the ecosystems in the Amazonian area, hundreds of miles north of Sao Paulo, Rio de Janeiro, and Brazil’s coastline.

Sue Cunningham, an author and photographer with more than 20 years of experience in Brazil, illustrated the consequences of the massive deforestation that she had been witness to during a 2007 expedition on the Xingu river in the heart of the rainforest. Travelling by boat and small planes, the group visited 48 different tribes living along the river.

“When you fly over the forest, you can see when the pollution happens from a pristine river to a contaminated river,” said Cunningham, showing an aerial picture of the polluted Xingu where mercurial refuse had caused a significant change in the colour of the water.

Nixiwaka Yawanawá, a member of the Yawanawá tribe currently working with Survival International to raise awareness about the Amazon and the rights of tribal communities, showed the Frontline Club audience a video of the latest flood that had hit his indigenous community in the Brazilian state of Acre.

Up to 80% of the villages and settlements of the Yawanawá community were swept away. “We never thought that this would happen,” said Yawanawá. “One of our shamans, and they usually are the oldest people in a tribe, he said that in one hundred years we have never seen this kind of flood. Everyone was very shocked and surprised, but we have to carry on.”

The task of explaining the meteorological dynamics of the issue was assumed by panelists Peter Bunyard and Dr Friederike Otto.

Peter Bunyard, founder of The Ecologist, explained the role of trade winds that flow from Africa and the Atlantic over the Amazonian basin. These winds create a mechanism called the ‘biotic pump’, a natural phenomenon that influences the climate of the entire Latin American region, from Panama to Patagonia.

Otto, a senior researcher at the Environmental Change Institute, University of Oxford, linked the occurrence of drastic climate events such as droughts, typhoons and hurricanes to longterm climate change and the consequential rise in temperature of the planet. “This is a longterm change, and all of these events play together.”

Rogerio Simoes, a Brazilian journalist based in London and former head of the Brazilian Service at the BBC World Service, explained that the rising population of Sao Paulo was a major game-changer in environmental terms.

“Brazil just cannot cope with the population growth,” said Simoes. “According to the latest census in Brazil, there are 11.6 million people living in slums, illegal slums.”

Simoes finished by adding that the short-sightedness of Brazilian politicians was leading to a worsening of the situation. For example, the governor of Sao Paulo state, Geraldo Alckmin, repeatedly denied any issue of water shortage during the 2014 election campaign, at a time when the main water reservoir was at just 7.2% of its total capacity.

What do a dead poet, organised crime and the air we breathe have in common?
On Thursday 21 November the Frontline Club screened The Carbon Crooks – director Tom Heinemann’s exposé of the massive fraud and failures within global carbon trading schemes.

Heinemann introduced his picture thus:

“This film is a about a system where, one could say everybody are crooks, or nobody are crooks. . . . How can you nail a whole system? That was the challenge in this film. Maybe you’ll find a lot of crooks in this film, or maybe you’ll find no crooks.”

Director Tom Heinemann. Photography Credit: George Symonds

The first question from the audience asked: “The VAT carousel has been known for 20 years. How is it possible that they didn’t think of it for emissions trading?”

“That’s a very good question,” said Heinemann, “that the EU Commission didn’t want to answer me either. . . . I don’t know who designed the system, but I’m sure someone has some red ears, somewhere. It took them way too long to stop this. Way too long.”

“Are we going to move away from market-based mechanisms?” followed another audience member.

“Well, I’m a journalist. I ask questions, I don’t give the answers,” began Heinemann. “But, my impression is that . . . the politicians today say, ‘We can’t do it better so we’ll pick the second or third best system.’ What can we do about this? I don’t know. Kevin Anderson, the advisor for the British government on climate issues has stopped flying. He has said, ‘I’ve used my credits.’”

https://twitter.com/CCESltd/statuses/403805857760428032

In response to a question on police investigations Heinemann explained:

“The real problem here is that most of the scam money came from organised crime. We have drug dealers, terrorist funders – the scum of the earth – have laundered money into these VAT carousels. There are a lot of investigations going on . . . there are employees of Deutsche Bank still accused of laundering carbon credit money.”

On why the authorities refuse to answer where the missing – traceable – credits have gone:

“Why don’t they tell us? Maybe it’s too embarrassing,” offered Heinemann. “Maybe it would reveal that these credits have been in so many ‘honest hands.’ . . .  You heard the Director of Europol, Rob Wainwright, saying it’s easier to hack into a carbon credit registry than stealing a car. I mean, that’s really trustworthy isn’t it? These questions need to be asked by people other than me, because there are a lot of people who don’t want to talk to me any more.”

Heinemann then expanded on the connection between carbon trading and international development:

“Gold Standard admits to us that half of their projects – about 60 – throughout the world are based on a system called ‘suppressed demand’. Meaning, you ask the poor people, ‘If I brought in a money tree, and you pluck it every day, would you then change your behaviour?’ . . . It’s not a big part of the system but a very important story. Because it was created by a lot of NGOs, based on a mathematical economic theory where the Danish professor says, ‘In the old days we had the vicar, we could go and get redemption. Today we have a long mathematical formula.’ So it fits!”

Heinemann concluded with his forecast for future carbon control:

“The head of communication for DONG Energy, a 80% state-owned Danish energy company, admits it has never been cheaper to pollute than today. It is cheaper than ever. Then there’s something wrong with the system. . . . The problem is that the market cannot reduce carbon emissions, apparently.”

More information about the film can be found at The Carbon Crooks website.

https://soundcloud.com/frontlineclub/third-party-event-broken

Organised by the Greenpeace Energydesk

With the UK’s Energy bill on the verge of coming before parliament and world leaders preparing for the latest climate summit, this time in Doha; some are worrying about the ability of a struggling media to play an effective role in the debate on energy and the climate.

As the press struggles to recover from a collapse in advertising during the recession and the damage done by the phone hacking scandal and subsequent inquiry the discussion will examine the challenges facing journalists reporting on an area of great scientific and economic complexity. The event will ask what impact those challenges have on the wider policy debate over energy and climate change and what – if anything – should be done to improve the discussion on this crucial area.

Chaired by editor of the Guardian, Alan Rusbridger, an expert panel will be exploring whether our journalism is up to the debate over energy and climate change.

With:

Angus McCrone, chief editor of Bloomberg New Energy Finance. He works closely with BNEF’s 120-strong team of analysts and researchers covering sectors such as wind, solar, biofuels, carbon and energy-smart technologies, also writes and presents on a wide range of topics including overall clean energy investment, project finance, public markets and policy-making.

Ben Webster, media editor of The Times since July 2011. He joined The Times in 1998, working on the newsdesk from 1998-2000 as night news editor and then assistant news editor. He was Transport Correspondent from 2000 to 2009 and Environment Editor from 2009 to 2011.

David Kennedy, the chief executive of the Committee on Climate Change. Previously he worked on energy strategy at the World Bank, and design of infrastructure investment projects at the European Bank for Reconstruction and Development. He has a PhD in economics from the London School of Economics.

Dr Alice Bell, senior teaching fellow at Imperial College London and writer interested in science in society. She has taught science communication at Imperial College London and UCL and is currently based at the former, running a course on energy and climate change.

Tom Burke CBE, environmental campaigner and founder of E3G (Third Generation Environmentalism). He is environmental policy adviser to Rio Tinto and visiting professor at Imperial College London and University Colleges, London.  He is a Senior Business Advisor to the Foreign Secretary’s Special Representative on Climate Change. He has recently been appointed to the External Review Committee of Shell. He is formerly the executive director of Friends of the Earth and an advisor to three Secretaries of State for the Environment.

The Island President tells the story of President Mohamed Nasheed of the Maldives’ battle for the survival of his country and everyone in it.

As one of the most low-lying countries in the world, a rise of three feet in sea level would submerge the 1,200 islands of the Maldives enough to make them uninhabitable.

The Island President chronicles Nasheed’s first year of office, culminating in his trip to the Copenhagen Climate Summit in 2009, providing a rare glimpse of the political horse-trading that takes place.

Directed by: Jon Shenk

Duration: 101′

Year: 2011 

Overfishing and dying oceans are in the media spotlight as never before. Will it change anything? 

With:

Will Anderson, double Bafta winner and producer/director of Keo Films and Channel 4’s Fish Fight

Quentin Clark, head of sustainability and ethical sourcing at Waitrose

Ian Campbell, OCEAN2012 UK co-ordinator working on the 2012 reform of the Common Fisheries Policy

Mike Kaiser, professor of ocean sciences at the University of Bangor