Bangkok-based Patima Tungpuchayakul has committed her life to rescuing and returning home men from Myanmar, Laos, Cambodia, and other Southeast Asian nations who have been sold to Thai fishing companies by human traffickers.

Once at sea, these captive men go months, even years, without setting foot on land, earning little to no pay, trapped in a modern form of slavery on the boats and forced to endure horrific and often deadly conditions.

Patima and her small team of activists risk their lives on remote Indonesian islands to find these men, fight for their emancipation and seek justice for them. In the face of illness, death threats, corruption, and complacency, Patima’s fearless determination reveals stories of criminal conspiracy at the heart of the global seafood industry, as she calls on her nation and the world to wake up and take action.

“You and I have to work together to tell this story. If this is going to change, it’s going to take all of us.”
Patima Tungpuchayakul, film subject

For further information about the Human Rights Watch Film Festival 2019, click here.

The film introduces us to two defectors  – 26 year old Eunhee Park and 25-year old Suuyeoung Lee, who is about to make her first appearance on the show. Both escaped with the help of smugglers who charged about 7,000 US dollars to take the women on a terrifying journey across the border into China and eventually to Thailand, from where they could reach South Korea.  The Chinese authorities arrest defectors and send them back, where they can face execution.

These women’s intimate stories paint a picture of a country where communism is being supplemented by a North Korean version of capitalism, with entrepreneurs making money by selling goods from China on the black market.  As many men work for the government, black market enterprises are run by women – which perhaps explains why over 70 per cent of those with the money and contacts needed to escape from the North are women.

Reporter: Seyi Rhodes

Producer/Director: Kate Hardie-Buckley

Series Editors: Monica Garnsey & Hugo Ward

A Quicksilver Media production

Speakers:

Chaired by series producer Hugo Ward

Kate Hardie-Buckley is a freelance journalist and documentary filmmaker.

Paul French is an author and widely published analyst and commentator on Asia, Asian politics and current affairs. He is author of North Korea: State of Paranoia and the international and bestseller Midnight in Peking.

John Everard is former British Ambassador to North Korea and author of Only Beautiful, Please: A British Diplomat in North Korea

For the first time, cameras go inside a police station run by and for women, revealing a unique perspective on what’s really going on in Indian society. Following the Delhi rape case in December 2012, hundreds of these police stations were set up across India. Parmila Dalal is second-in-command at the Women Police Station in Sonipat, in the northern state of Haryana.

This surprising documentary follows Parmila and her special team of scooter-mounted female officers who are focused on preventing the harassment of women. However, much of Parmila’s time is also spent mediating in family disputes, acting as a social worker. The family arguments Parmila is tasked with diffusing illuminate many of the fault lines running through Indian society.

Glimpses into Parmila’s family life capture uninhibited encounters with family members at war over such contentious matters as caste, dowry payment and relations with unpleasant in-laws. These scenes of family discord reveal how women’s lives are changing in India today, and how they often struggle to reconcile the conflicting demands made upon them.

Directed by: Ruhi Hamid
Executive produced by: Christopher Mitchell
Country: UK/India
Runtime: 48′

Oo is one of his nation’s predominant emerging filmmakers and of the many talents being showcased at the Frontline Club’s ‘A Country in Motion: Films From Burma’ event. Organised by the Czech Centre, the films highlight the recent political, cultural and social transitions in Burma.

Four films were exhibited. The Little Finger, A Peaceful Land, I Wanna Go To School and A Buffalo Boy. Focusing on a range of issues including development, human rights, democracy, education and exploitation, the films provided an illuminating insight into life in modern day Myanmar.

Interesting and thought provoking screening at @frontlineclub learning about human rights and activism in #Myanmar pic.twitter.com/drL04LQmXX

— Haylea Campbell (@HayleaCampbell) November 10, 2016

Left to Right: Human rights campaigner, Igor Blaževič, Burmese MP, Susanna Hla Hla Soe (National League for Democracy Party), Former Czech ambassador to the UK, Pavel Seifter

Chaired by the former Czech ambassador to the UK, Pavel Seifter, the event drew on the remarkable work being produced by a selection of Burma’s emerging filmmakers. During the open discussion after the films’ airing, Seifter was joined on stage by Burmese MP Susanna Hla Hla Soe (National League for Democracy Party) and the internationally renowned human rights campaigner Igor Blaževič. Oo joined on Skype.

Addressing the crowd from his native Burma, Oo is broadly positive about the course of progress in his country. He cautions however that further change is needed and highlights aspects of Burmese life that remain problematic. Oo spoke of the need to tell stories that had not been possible to tell in the past, rationalising that as a result, many of the documentaries emerging out of Burma are testimonial in nature.

Igor Blaževič agreed that despite the political developments made, problems remain. He outlined four major problems facing the country today:

“First is the military… the military protects the constitution and the constitution protects the military. The second problem is ongoing civil war… there is profound disagreement between the ethnic minorities and those in power. The third problem is ethnic nationalism… and the fourth problem is that the country is economically captured by the oligarchy groups created under the military”.

Oo concurred that the Army represents a major obstacle to further progress in Myanmar: “Now there is a new distinction between the Army and the Government. They used to be the same thing. It is fine to criticise the Government but the Army remain hard to touch”. He explained that filmmakers still have to submit material to a censorship board which decides upon what may or may not be shown to the wider public. This process prevented a number of films containing material critical of the Army from being shown at the Human Rights Human Dignity International Film Festival in June this year.

MP Susanna Hla Hla Soe concluded: “The first challenge is the expectation of the people… They would like to see the new Myanamar happen, but change is slow”.

Former Czech ambassador to the UK, Pavel Seifter

Film Reviews:

The Little Finger

Produced by: Shune Lei Thar, Kaung Myat Thu Kyaw, Saw Reagan

The Little Finger portrays the tale of the Burmese democracy in its infancy, covering the 2015 election from the perspective of two women leading notably different lives. One of the women filmed was Susanna Hla Hla (a guest at the Frontline Club for the evening), a parliamentary candidate for the National League for Democracy party, headed by Aung San Suu Kyi. The other is a grass grower living and working in rural Burma.

The film exposes the flowering yet fragile state of Burmese democracy. The shots of voting day queues, an old man sitting patiently waiting to cast his vote, a young man taking a ‘selfie’ in the queue, contrast with the concerns expressed by NLD activists regarding election tampering and voter documentation malpractice.

The Little Finger reveals the intertwined excitement and nervousness of democracy in action. It is hopeful yet truthful, it doesn’t fail to expose the disappointment felt by those left out of the democratic process. “They never failed to collect our taxes but now they are saying we can’t vote,” says one man upon finding out he can’t be registered to vote due to residential status issues. A warts and all look at the democratic process in action — The Little Finger records the joy of those who have waited so long for the vote exercising their democratic right, and the pain felt by those who’s wait goes on.

A Peaceful Land

Produced by:Sai Kong Kham, Lamin Oo

The early shots of toy soldiers in the sand beautifully set the scene for the story that unfolds throughout A Peaceful Land. This is the tale of land taken, of an entire way of life disrupted. Drawing on a range of interviews with those impacted, the film documents the 2005 government initiated nation-wide campaign to plant Physic Nut – a bush-like tree, used for biodiesel production.

Following Government orders, the Army set about confiscating acres of farmland as part of the programme, forcing farmers to plant the trees and work the land appropriated.

Faced with hardship and injustice, four courageous farmers from Nat Mauk (Magway Division) stood up against the authorities and fought for their rights and land.

Following prolonged harassment and even in some cases imprisonment, the afflicted were offered miserly compensation from the Government in return for seized acreage. Many felt forced to accept the terms and as such lost their deep connection to their farmland.

Despite intense pressure from the authorities, one female farmer explains why she refused to give up her plot: “The money will run out in the end, but the farmland will never run out”.

The documentary is beautifully shot and tenderly portrays the widespread pain felt by Burmese farmers at their loss of land and community. The documentary closes with frames depicting earth eroding into a river beside rural fields, symbolising the farmers plight.

I Wanna Go to School

Produced by: Nyan Kyal Say 

A powerful, short animation about a Burmese brother and sister who dream of going to school together. The story demonstrates effectively the obstacles to education faced by children in Burma. It highlights the prevalence and impact of gender inequality, poverty, child labour and abuse. With one in five Burmese children not in education and one in three Burmese children working, the story told is sadly an everyday reality for many young boys and girls in Myanmar.
A Buffalo Boy
Produced by: Mai Ah Nway (Ta’ang Chitthu) 

A fiction film detailing the life of a small boy in a rural village in the Burmese countryside. The boy is caught in the midst of warring parents, with his father a destructive opium addict and his mother struggling to provide for the family. The boy longs for an education and to join the other children from his village at school but is instead forced to work for the family, performing tasks such as gathering water and organising the family home.

The film provides a potent insight into the life of this one young boy, carefully detailing the everyday defeats inflicted upon him which curtail his happiness and development. After an argument between his parents, his mother is arrested whilst trying to buy opium for his father. The boy is left alone with his dad and is soon after sold off to a stranger to finance his father’s habit. Hard hitting, raw and skilfully weaved together, this is the story of the innocence of youth lost.

As the leadership in North Korea changes and Kim Jong-un takes the helm, a man who goes by the name of Dragon smuggles North Korean defectors across borders. His latest trip with two women, Sook-Ja and Yong-hee, takes an unexpected turn when they are left stranded in China. This is only the beginning of an extraordinary 5,000 km journey. Their story reflects the reality of tens of thousands of North Koreans currently in hiding in China.

Dragon sees himself as a human rights activist, whilst acknowledging that many people look poorly on brokers who charge defectors money for freedom. His work is illegal and his true motivations questionable, but many defectors come to him to seek an escape from China and a world of uncertainty. A North Korean defector himself, Dragon was once part of a commando unit that trained under then President Kim Jong-il. The experience has enabled him to assist hundreds of North Korean defectors.

Korean-Canadian filmmaker Ann Shin gains intimate access with these three individuals, taking the journey alongside them while filming undercover and navigating the risk of exposing the defectors and their guide. Beautifully shot, with a compelling high-stakes story, The Defector poses broad questions around human smuggling and the pursuit of freedom. The film has been selected for 20 international festivals and has been nominated for 7 awards, winning the Canadian Digi Awards and the FITC Awards.

Directed by Ann Shin
Duration: 71′
Year: 2014
www.thedefectormovie.com

https://soundcloud.com/frontlineclub/in-the-picture-brave-new-burma

This event is organised in partnership with the Asia House Festival of Asian Literature.

Twenty years in the making, Nic Dunlop‘s new book Brave New Burma is an intimate portrait of Burma through pictures and words. It takes the reader from the front lines of the ongoing civil war to its deceptively tranquil cities; from the home of Aung San Suu Kyi to the lives of ordinary people and their struggle to survive.

In a talk chaired by BBC foreign correspondent and writer Fergal Keane, Dunlop will present images from Brave New Burma and speak about the changes he has witnessed in the two decades he has covered Myanmar as it opens up to the outside world.

Nic Dunlop is a Bangkok-based photographer and writer represented by Panos Pictures in London. In 1999, he received an award for his discovery and exposure of Pol Pot’s chief executioner Comrade Duch, a story told in his book, The Lost Executioner. Dunlop also co-directed Burma Soldier, an HBO film which was awarded the Grand Jury Prize at the United Nations Association Film Festival and nominated for an Emmy for Outstanding Individual Achievement in Writing.

Picture credit: Burma’s Army © Nic Dunlop/Panos Pictures

 

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The former Princely State of Jammu and Kashmir, is seen by many as South Asia’s Palestinian counterpart. Bordered by Pakistan, India, China and Afghanistan, each country has laid claim to the territory that lies in the foothills of the Himalayas. It has been caught between continuous contestation of borders and autonomy since the partition of British India.

With India unwilling to acknowledge the demands of the people for freedom, and therefore avoiding debate on resolution, Kashmir’s future looks like it will remain in limbo for years to come. But with the recent Jan Lokpal protests and the Arab Spring, will India take note and give the people of Kashmir the right to self autonomy? Or will it continue to arm itself with Israeli weapons and training in the name of counter-terrorism? The Jan Lokpal protests were carried out in support of social activist Anna Hazare and his continuing pressure on the Indian government to push forward an anti corruption bill that would see the establishment and enforcement of legislation against endemic corruption.

Recently discovered unmarked graves of over 2000 bodies, of insurgents and local Kashmiris, have brought to the surface the horrific extent of the conflict that has left thousands of women widowed and subsequently abandoned by the Indian state with no knowledge of the fate of their husbands. An often forgotten and unreported conflict, in the name of diplomacy, Kashmir is slowly voicing itself onto the international agenda. But will Western powers support Kasmiri freedom, or will Indian diplomatic relations be put first?

Join us at the Frontline Club with an expert panel to discuss where Kashmir stands in its fight for freedom and the options that lay before it.

Chaired by Victoria Schofield, journalist and author of Kashmir in Conflict. She is an independent analyst and commentator on the Kashmir conflict for news agencies such as BBC World, Al Jazeera, CBS and CBC. She was also an independent rapporteur for the 4th Global Discourse on Kashmir that was sponsored by the International Council for Human Rights.

With:

Mirza Waheed, journalist and novelist. Born and brought up in Kashmir he joined the BBC’s Urdu Service in London in 2001. His first novel, The Collaborator, is set in his hometown during the early 1990s, and depicts the conflict between India and Pakistan and its effects on a border village in Kashmir.

Subhash Chopra, former The Times journalist and author of Partition, Jihad and Peace: South Asia after bin Laden.

Ashis Ray, Times of India journalist and former CNN South Asia Bureau chief and consultant editor.

Imran Khan, correspondent for Al Jazeera English. He has reported extensively from Pakistan, Afghanistan and from across the Middle East.

Lawrence Sáez, Senior Lecturer in Comparative and International Politics at the School of Oriental and African Studies (SOAS) with expertise in Pakistan and India. Chair of the Centre for South Asian Studies.

Image Credit: Kashmir Global courtesy of Flickr

Peter Lloyd, the foreign correspondent arrested in Singapore in July on drugs charges, has been sentenced to ten months in Prison. The New Delhi-based correspondent received eight months in prison for possession and consumption of methamphetamine and an additional two months for “possessing drug paraphernalia stained with ketamine”,

Lloyd’s reaction to the sentence could not be immediately determined because he stood with his back to the public gallery. His ex-wife broke down in tears and had to be consoled by a friend. The television reporter has been free on bail but his jail sentence was to begin today. link

Gunnar Bergstrom reported from Khmer Rouge run Cambodia as a young reporter in 1978. He spent fourteen days in Democratic Kampuchea and filed glowing reports. Seven months after he returned to Sweden he retracted what had originally reported. This week, some thirty years later, he’s back in Cambodia to tell the Cambodians he was conned,

“I was at that time a member of a friendship association which was a remnant of the anti-Vietnam/Cambodia War movement in Sweden, which was very strong in the Western world,” Mr Bergstrom told the BBC. “Of course we didn’t want to believe that the liberators had become oppressors.” link story originally picked up via John Vink.